Cecil Calvert Beall (1892 – 1970), better known as C.C. Beall, isn’t a big name among vintage paperback and retro pulp magazine illustrators. Actually, his reputation is mostly due to a series of high profile WWII era war loan drive posters.
Beall learned under master figure drawer George Bridgeman, surely a familiar name to any former art student, and studied at the Art Students League and Pratt Institute. While most contemporaries worked in slow drying oils or fast drying (but extremely tricky) gouache, Beall worked primarily in traditional (transparent) watercolors, though in a distinctive heavy manner, only ocassionally combining them with charcoal or gouache for selected commercial assignments. His patriotic war era propaganda ad and poster illustrations were so successful that he was temporarily made an employee of the U.S. War Department, and was present at the final Japanese surrender on the USS Missouri in 1945, where he painted the official portrait of the event.
But like many working artists of the time, Beall did all kinds of work, from glossy magazine illustrations to advertising, film studio assignments and book covers, including his darkly gorgeous painting for Bruno Fischer’s 1950 House Of Flesh from the preceding post. Some more of his non-military work is shown here. And heck, I’m throwing in the cover art from House Of Flesh one more time for good measure.