In the end, it’s all about who’s holding the gun.
Master fashion photographer-storyteller Steven Meisel shoots model Carolyn Murphy for a stylish editorial in Vogue Italia from 2002 that’s a sumptuous bit of Euro-Noir. Who can tell if Murphy’s gotten mixed up with a dangerous duo out of love for the handsome boy-toy, or been blackmailed by the suave ringleader? What we do know is that she’s the one holding the gun in the end, and making off with the money.
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