“Primarily I’m writing to entertain, right?” Karin Slaughter, bestselling author of a book a year since 2001, says just that in her interview with Ericka McIntyre in the September 2019 issue of Writer’s Digest magazine. “If I could change the world, with what I’m writing, then I would write very different books.” Still, she explains that there are things in her books that go beyond storytelling, issues she hopes readers will confront, things she’d like men to know about women, experiences she’d like to validate for female readers. But this is only a brief part of the three-page interview (with more online at writersdigest.com). Slaughter’s remarks on writing discipline and productivity are particularly worth noting, considering that her book-a-year output has added up to over 120 million copies sold in 37 languages.
I was pleased to see the new issue of Writers Digest magazine in my mailbox, keeping my fingers crossed that the financial woes which recently took down its parent company, F+W Media, are being resolved in a way that enables the magazine to continue publication. I’d really miss WD if it vanished. This September 2019 issue is “The Big Idea Issue”, with interesting articles on “Mastering High Concept”, how to effectively deploy subplots and more. My favorite this issue was Simon Van Body’s “Becoming A Multigenre Master”, with some guidance on how to work concurrently on multiple projects in completely different genres. I have no burning desire to pen a western or a steampunk romance, but there are times when I’d consider starting something outside my usual areas of interest, perhaps even something measurably ‘steamier’ than I’m what currently doing, even if only for fun or self-publication. “The many voices that make you up but which cannot be reconciled into one single voice all the time can most definitely be channeled into different ways of telling stories,” Van Body assures writers, sounding so certain in his article that I might just be tempted to give it a try.