Milton Luros was one of the ‘golden age’ pulp cover illustrators, his work often misattributed to Norman Saunders or Mort Kunstler. One of his cover paintings (a 1944 painting, shown below) was actually part of the inspiration for my ‘Stiletto Gumshoe’ series character (still in the works, alas) with a gun-toting bad guy bursting in on a woman processing incriminating photos in a dark room. I’ve had a file of that pic lurking in my computers’ image archives for ages.
Milton Luros (1911-1999) was born Milton Louis Rosenblatt and grew up in Brooklyn, studying art at the Pratt Institute following high school. He got his start doing B&W interior spot illustrations for western pulps, and by the late 1930’s was earning a decent living as a freelance cover painter for numerous pulp magazine publishers and titles, doing everything from crime to cowboys, spicy’s to science fiction. After marrying his wife Beatrice, Luros set up a studio on West 67th Street, where his neighbors included Rafael DeSoto, George Gross and Norm Saunders…heady company, indeed! Serving as a Tech Sergeant for the Army Corps Of Engineers during WWII, Luros returned to freelance illustration work in the late 1940’s, eventually becoming the art director (and primary cover and interior illustrator) for Columbia Publications’ Famous Detective magazine. With the pulps in decline, Luros opened New York’s American Art Agency in 1955, but soon relocated to the west coast seeking more lucrative film studio poster work.
He soon took over the art director roles for two new men’s magazines, Adam and Knight, and eventually launched his own men’s magazine, Cocktail, which by 1959 expanded into a multi-title syndicate, Parliament News Distributors. However, ten years later, Luros and his firm became embroiled in obscenity charges, during which time he was depicted in the press as “the world’s richest pornographer”, which surely was a stretch. Ultimately, the charges were dropped, the initial convictions overturned on appeal, and Milton Luros continued to work both as a publisher and illustrator till his death in 1999. While certainly not as famous as some of his pre-WWII pulp marketplace counterparts, this artist is actually responsible for more of the classic pulp era’s memorable covers than we may realize.