Born in Minnesota, (unbelievably, in a railroad car parked on a spur!), Austin Briggs (1908- 1973) spent his childhood in Detroit, then moved to New York City as a teen, during the Depression, no less, to purse a career as an artist and illustrator. He began with low end ad agency work, his talent for figurative work quickly spotted, and was assigned to paint men and women into completed car ad illustrations. He began doing spot interior B&W’s for the burgeoning pulp magazine marketplace, which led to a job as the assistant to successful comic artist Alex Raymond, working on the Flash Gordon and Secret Agent Corrigan strips.
After WWII, Briggs hit the big time, doing both paintings and B&W pencil illustrations for the highly competitive ‘glossies’: Redbook, Reader’s Digest and The Saturday Evening Post, and along with illustration luminaries like Norman Rockwell, Robert Fawcett and Jon Whitcomb, was one of the founders of the Famous Artists School. You won’t find Austin Briggs work adorning 1940’s – 1950’s crime paperbacks or sleazy pulp mags, and his 1930’s pulp interior spots are largely lost, mostly unsigned and uncredited. But leave it to the ‘stiletto gumshoe’ to root up a few mystery and crime story illustrations done for the highbrow set nonetheless, for tales like “The Counterfeiters” and “The House Of Terror”.