A feature at The Rap Sheet blog (link below) is a good enough recommendation for me, and even though I only saw Shamus and Barry Award nominee Mark Coggins’ piece about the Beats, Jack Kerouac and his new August Riordan novel The Dead Beat Scroll on a Monday, I knew I had to have it. The book was in my hands that Wednesday A.M., which is mighty quick, and I dove in that evening. Indie mystery/crime fiction publisher Down & Out Books did a fine job with this handsome trade pb, each chapter offset with evocative full-page B&W photos shot by the author himself.
Private investigator August Riordan is out for vengeance when his former partner is murdered. But that investigation leads him to an unresolved missing person case and more gruesome murders, all pointing to a lost Jack Kerouac manuscript, presumably worth millions. Specifically, that most famous of Kerouac manuscripts, and if you need clarification on that then you need to do some reading up on Kerouac and the Beats. This was my first time with a Coggins’ novel, my intro to his August Riordan character, and I’m glad I took a chance on a hard-working writer who never got on my radar for some reason. A contemporary setting doesn’t make him pull back on some fun hard-boiled banter, thank goodness:
“Then why did number one son pull a gat on me as soon as I walked through the door?”
Brendan shrugged. “Guns were the language we were speaking until now…”
Research into Chicago’s more provincial late 1950’s Beat scene has been among the things I’ve had to dig into for my own projects lately, and while Coggins’ novel isn’t that kind of a retro setting, it’s fitting in nicely and tidbits about Kerouac, the manuscript and the Beat scene are sprinkled throughout. So this was a timely read for me. I really enjoyed The Dead Beat Scroll and I bet you will too if you check it out. But do look up author (and photographer, BTW!) Mark Coggins’ site (link below). The stunning shots framing each chapter of The Dead Beat Scroll are his and are definitely worth a look.