The Leopard Man (1943)
Crime Reads may not be the first place you’d turn to for talk about horror, even at Halloween time. But it’s definitely worth a visit to read Zach Vasquez’ look at 20 essential films which blur the line between horror and noir (link below). Myself, I’ve always been surprised that more films do don’t do precisely that, the two ‘genres’ sharing some common roots and any number of familiar tropes and stylistic cues. Want to quibble with some of Vasquez’ choices, or toss in your own instead? Go right ahead. I fully concur with several of the article’s selections.
After all, anything produced by Val Lewton might qualify, and Vasquez’ chooses 1943’s The Leopard Man. Similarly, while the article singles out David Lynch’s 1997 Lost Highway, most anything in Lynch’s body of work will likely merge something horrific with the vaguely noirish, the possibly anachronistically retro, and certainly the just-plain-weird. Vasquez also points to The Eyes of Laura Mars from 1978, that Helmut Newton fashion-kink photo suite brought to life on the big screen, its screenplay adapted from a spec script penned by John Carpenter (Halloween). Or there’s Mickey Rourke and Robert DeNiro in Angel Heart from 1987, and of course, Henri-Georges Clouzot’s 1955 dark classic Les Diaboliques.
Les Diaboliques (1955)
Some can argue that many films billed as horror are really just particularly gruesome serial killer thrillers. And others might assert that the moment a film (or story or novel) includes anything remotely supernatural, it no longer qualifies as ‘noir’. But then some people get too hung up on genres and classifications, and I’m not getting into those arguments. Rather, I’ll just encourage you to read Zach Vasquez’ 10.29.19 Crime Reads article “20 Essential Films That Blur The Line Between Horror And Noir” and see for yourself if you don’t find a film you might want to watch come Halloween night.