You Have Killed Me.

You Have Killed Me Cover

Cold and windy under nonstop pouring rain, last Saturday would’ve been a good day to stay indoors. But I ventured out to pick up a current events book reserved at the library (there being a current event or two to keep tabs on these days). The local public library’s a bit lean on actual books, but is well appointed with comfy reading nooks, plush seating and even a fireplace. Almost ready to check out, Jamie S. Rich and Joelle Jones’ You Have Killed Me caught my eye on the graphic novel section’s endcap. I have it, of course, being an ardent Jones fan. Still, I paused to flip through the 2018 trade pb edition of this 2009 graphic novel anyway. Before I knew it, I’d dropped into one of those fireside chairs to reread this yummy bit of retro noir fun from cover to cover before dashing back out into the rain.

You Have Killed Me Art

Some will holler cliché. Me? I see nothing but classic noir and hard-boiled genre tropes lovingly celebrated in Rich’s story, a smooth flowing piece of work that reads like a period-perfect screenplay for a 1940’s-50’s noir. As for Joelle Jones art? Fans might be surprised to see some softer lines and curvier faces here and there, but it’s still Joelle Jones’ brilliant, stylized draftsmanship throughout, and an excellent chance to see where she was ten years ago. The pair make an excellent team (as seen since on Lady Killer, for example) in this tale of hard luck P.I. Antonio Mercer, hired by wealthy and beautiful Jessica Roman to locate her sister Julie, who’s gone missing on the eve of her society wedding…the missing Julie also Mercer’s one-time lover. But family dramas and messy love affairs are the least of Mercer’s problems once he begins to tangle with gamblers, gangsters and hard-assed cops in jazz clubs, racetracks and roadhouses. Any savvy noir fan will smell a rat – or at least an untrustworthy femme fatale – early on, but even the savviest may not be ready for what really happened to the missing sister. Trust me: This one’s a treat.

Sure, I got soaked on my way back to my car. But I did get the political rant hardcover I’d reserved a week earlier (just to drive myself nuts) and had a good time savoring Jamie Rich’s wordsmithing and ogling Joelle Jones art, both every bit as tasty today as ten years ago when the book came out.

 

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