Born Natalia Nikolaevna Zakharenko in 1938 in San Francisco, the Russian emigre family name later changed to Gurdin, but we knew her as Natalie Wood, first appearing on film at age 4, lighting up the screen in the original Miracle On 34th Street at only 8, later to create memorable screen roles in Rebel Without A Cause, Splendor In The Grass, West Side Story, This Property Condemned, and my personal favorite, Love With The Proper Stranger from 1963/1964…earning three Oscar nominations along the way.
Sadly, it was on this date, November 29th in 1981, that Natalie Wood drowned off the Catalina coast in a boating accident that’s still shrouded in mystery.
To say I’m a fan isn’t quite enough. Of course, Wood never played a true ‘femme fatale’, much less a gun moll, film noir heroine or even a real crook, unless you want to count the silly mid-sixties farce Penelope. But for some reason, it was always Natalie Wood that I pictured when envisioning my own creation, ‘The Stiletto Gumshoe’ – Sharon Gardner (real name Sasha Garodnowicz, changed for obvious reasons), a 22-year old trying to make her way in the gritty brown-bricked bungalow rows of Chicago’s ethnic southwest side in 1959. Specifically, it’s the look of Natalie Wood from the early 1960’s, and her Angie Rossini character from Love With The Proper Stranger, like the NYC publicity shots shown above from that film. As Sharon Gardner herself relates, surveying the crowd from her all-too-familiar perch on a barstool in Silky’s cocktail lounge:
“…A decent looking type out for a few snorts after work on a Thursday evening was more likely to go for the loudmouthed lushes squeezed into their sparkly cocktail dresses. But enough liquor can turn me into Natalie Wood, when a fellow wants to believe it. Minus a few curves. And if it’s dark. Which Silky’s usually is.”
Maybe she got screwed by producers when it came to showcasing obvious singing and dancing talents. Maybe it took a while for her to acquire well-deserved cred for her acting ability and to overcome the child-star label. No question that her prime years included some silly roles, the kind every star was arm-twisted into during the waning days of the studio system. But I just refer anyone unfamiliar with Wood’s work to some of those key films listed above. ‘Nuff said.
Natalie Wood: July 20, 1938 – November 29, 1981. Gone at only 43. We can only imagine the work she left undone at such a young age, but will always have the work she left us with. Yeah, I’m a fan, and always will be.