If you prop a still life photo with a vintage UK edition of Mickey Spillane’s Kiss Me, Deadly, you’ll get my attention.
Photographer Maurizio di Lorio shoots commercial assignments for diverse clients including GQ, Vogue, WWD and Elle among others, and has mounted fine art photography exhibitions from Los Angeles to Venice, Italy. Most of his images are incredibly crisp macro close-ups, all of them oozing intensely saturated hues, di Lorio’s figurative work sometimes isolating facial closeups, or more famously (or notoriously) deploying models sporting black or neon-hued opaque legwear, often in surreal or provocative situations.
But it’s di Lorio’s still-life and tabletop shots that caught my eye. Propped with crime genre trinkets like smoldering cigarettes, handguns and cocktails, they’re like glimpses of decidedly non-black & white neo-noir film sets.