George Dyer, writing for Writer’s Digest magazine, compares crafting a mystery tale to a chess game, with the pieces replaced by human characters, the individual moves being the plot (and presumably, its mysterious twists). The writer? The writer’s both a player and a judge, though still operating within various parameters. Dyer points to things like suddenly revealing ‘deux ex machina’ an all-new character in the closing scene to solve ‘the crime’, or implausibly arming a gangster with poison or a refined society girl with a Tommy gun as plainly breaking the rules..
What makes all of this particularly interesting for me is that George Dyer wrote it back in 1931. But we can read it now at the Writer’s Digest magazine website (link below), with a second installment to follow next week.
As the venerable writer’s resource celebrates its 100thanniversary, there’s a vast archive of guidance and info (like Dyer’s essay) to tap into. Consider a 1997 interview with David Baldacci, whose 1994 overnight success Absolute Power sold for a then unheard of $5 million advance…that ‘overnight success’ coming after an estimated 10,000 discarded pages from 11 years of writing. That’s in the April 2020 print magazine, which showed up in my mailbox on Wednesday, and just in time to help restock the to-be-read pile on my writing lair’s endtable. Though still working through “The Small Press Issue”, it’s a good one, and I have to say, I’m liking the modest shift in content seen in Writer’s Digest’s recent issues. And I’ll be looking for Part Two of George Dyer’s take on mystery story techniques next week. Kinda want to see if his words of writerly wisdom from 89 years ago still hold up.
I’m betting they will.