Script For Scandal

Script For Scandal Ordered

‘Renee Patrick’s’ Script For Scandal is the third Lillian Frost & Edith Head Mystery, this time a Severn House (UK) library style edition with a glossy full color hardcover binding plus matching dustjacket. Renee Patrick? That’d be the husband and wife team of Rosemarie and Vince Keenan, the latter a familiar name here since he’s the new editor of The Film Noir Foundation’s Noir City e-magazine, which ought to lend some genuine cred to the series’ Golden Age Hollywood trivia. And there’s a lot.

Lillian Frost is a New York transplant in Hollywood, fired from her department store job in the first novel and now working as the social secretary for a quirky Tony Stark style zillionaire inventor. Striking up a friendship with Paramount Studio’s (not yet) famed costume designer Edith Head, the duo get mixed up in Golden Age Hollywood mysteries, impulsive Lillian foolishly stepping into danger and more cerebral Edith, often as not, figuring things out from afar. The late 1930’s film studio milieu provides ample opportunities for guest appearances by silver screen luminaries, here including Billy Wilder, Paulette Goddard, Bette Davis, George Raft, Joan Crawford and Fred MacMurray.

In Script For Scandal, it’s MacMurray who’s slated to star against-type as a smooth-talking bad guy in a proto-noir (this being only 1939), using artful lighting and deep shadows to mask the project’s budget and add some German Expressionist inspired sense of ominous dread. But the film is based on a real-life 1936 bank robbery in which the loot’s still missing and the crooks all wound up dead, along with an L.A.P.D. detective…none other than Lillian Frost’s own boyfriend’s previous partner. The D.A.’s digging into the case again, and three new murders start pointing guilty fingers at Frost’s squeeze.

These Renee Patrick novels certainly aren’t hard-boiled, much less anything you’d call ‘noir’. While I flee from cozies, I’m open minded when it comes to retro settings, 1930’s – 50’s era Hollywood and NYC in particular. If Script For Scandal, like the two prior novels in the series, may be light on gunplay, action, sexy sizzle or anything dark-n-heavy, they’re genuine ‘page-turners’ with complicated mysteries that are…well, just plain fun. I don’t know why the series changed publishers for book number three, but I hope it’s strictly for good reasons, because I, for one, definitely want to see more books in this Lillian Frost & Edith Head mystery series.

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