See you in September? No, I’m not going anywhere.
But that is the title of a recent Publishers Weekly lead article from Vice-President, Editorial Director Jim Milliot reporting on NYC publisher surveys regarding plans on when and how their offices might reopen. Like so many businesses there and in other cities nationwide, the “Big Five” plus Abrams, Houghton Mifflin Harcourt, Kensington, Norton, Scholastic and others responded with cautious and flexibly phased plans, none of which involved employees returning before Labor Day. Till then, work-from home, Zoom conferencing, digital manuscripts, galleys and review copies will remain the norm. In some cases, senior management is even reassessing long term office space needs, anticipating that some portion of their staff will continue with WFH at least in some capacity. To a degree, it may be less about reconfiguring office spaces and work schedules, and more about the logistics of getting to and from work, those challenges all too apparent to any city dweller. Bus, subway, El and train commuting are still scary prospects. Further, how will crowds navigate elevators up and down hi-rise office buildings?
The following week’s issue included the first in a series of independent publishing columns, that one by past chair of the Independent Book Publishers Association, Peter Goodman, who speculated that the pandemic’s impact will likely reshape independent, hybrid, micro-press and self-publishing with increased adoption of e-books, a regrettable but likely inevitable shakeout among indie retail bookseller accounts, and the growing influence of distributors and their print-on-demand capabilities. Myself, I’m all for that last one, a crucial component in keeping indie press and backlist titles available, particularly if retail bookstore upfront orders are publication go/no-go criteria. Goodman also acknowledges what many have fretted over or even joked about: The sheltering-in’s sudden proliferation of budding writers. “…A lot of smart, creative people who are spending more time at home will be producing more books,” Goodman states. “Is this a good thing? Not entirely, as it crowds the marketplace and may again create an unfortunate line between ‘real’ and ‘hobby’ publishing.” Will retail bookstores – indie or chain – get serious about stocking some of these self/hybrid/micro published titles, or will the nearly non-navigable and overpopulated online maze remain their only marketplace?
A second entry in this series the following week, this one from Ed Nawotka and Claire Kirch, reported a mixed bag of business results and planning among independent publishers. Topline: Nearly all endured a brutal March and April with drastic drop-offs in orders, though sales have steadily picked up since. Back to normal? Not exactly. Nor are independent and smaller presses racing to get back to their offices just yet, even if they aren’t in the same types of workplaces the majors are.
Along with Publishers Weekly, a number of book sites/blogs I follow have been reporting on the plight of booksellers throughout these sheltering-in months, now transitioning to updates about their slow and cautious re-openings. But the entire industry hit pause back in March or thereabouts, and if publishers and retailers aren’t up to speed, then agents won’t be either, so writers will have to make their own individual decisions about queries and submissions. Myself, I hate to think of sitting on my hands till Autumn (though Summer has always been considered a notoriously bad time for querying/submitting anyway), but I’d already concluded it might be prudent to do so, and reading reports from industry insiders simply reinforces that.
Oh well, Fall’s always been my favorite season.
Publishers Weekly cover illustration: Jeff Drew; Bookstore photo: Stef Van Der Laan by Robert Nethery, 2015.