Let’s honor the postwar master artist/illustrator Robert Maguire (8.3.1921 – 2.26.2005), who only has one more to go before the century mark, and is credited with over 1,200 paperback covers in addition to his work in magazines, advertising and other media. Maguire was attending Duke University when the U.S entered WWII, and ended up in the infantry in the Italian campaign. Once mustered out, he studied at the Art Students League, graduating in 1949 and quickly finding work, first with Trojan Publications’ “pocket pulps” like Hollywood Detective Magazine.
Sadly, (but very understandably) the Robert Maguire website at ramaguirecoverart.com (a terrific site cataloging the master’s work and showcasing intriguing studio photos, sketches and more) was shuttered not all that long ago. You can still land at the URL, and see for yourself why it had to be taken down. Doubly sad that Maguire’s and so many of his revered postwar era peers’ work has been ‘appropriated’ by the less than scrupulous, showing up with frightening frequency on quickie sex and crime ebook covers and online ‘sale-ables’.
Jim Silke’s 2009 Dames, Dolls And Gun Molls – The Art Of Robert Maguire is a treasured tome in my writing lair’s bookcases. It would be impossible for me to load up all my favorite Maguire covers here, so only a few will have to do, like The Damned Lovely up above from 1955, The Brass Bed from 1960 and Mona Knox from 1962 below. It’s barely scratching the surface of this talented artist’s many works and diverse styles, but it’s good to remember – and honor – one of the very, very best of the 1950’s-60’s era PBO cover artists, whose work graces so very many mystery and crime fiction classics and quirky cult faves often seen here and at fellow noir culture fans’ sites. I’m sure someone (or someones) much better informed and scholarly than I will have suitable tributes come this time next year.