If Jennifer Mays of Mike W. Barr’s The Maze Agency could have lingered at one publisher, she might’ve become a more iconic “stiletto gumshoe”. But the fact is, this fun whodunit series bounced around from one company to another in its primary late 1980’s – early 1990’s years, the handoffs continuing all the way through 2009. The Maze Agency’s ‘maze’ logo, designed by Todd Klein, first appeared in 1989 at Comico Comics, where we met Jennifer Mays – she of the trademark blonde forelock – a former CIA agent who bid goodbye to boss Ashley Swift at the Swift Detective Agency to strike out on her own. Mays partners up with armchair detective and true-crime writer Gabriel Webb, and together they solve (increasingly dangerous) puzzling whodunits in mostly self-contained stories with both obvious and obscure clues sprinkled throughout to challenge readers.
The Maze Agency was a Will Eisner Award nominee for best new series in 1989, but soon enough Comico went under with only seven issues released. The title migrated to Innovation Comics for a longer 16 issue run (plus two specials) through 1991, then was published by various outfits including Alpha Productions, Caliber Comics, IDW and finally Moonstone in 2009. Originally drawn by UK artist Alan Davis (with inks by Paul Neary) for a six-page spec story, the series’ art was mostly done by a young Adam Hughes, one of his first full-time series (I think).
Individual issues seem pretty scarce in shops ‘round these parts, but are easy enough to source online. The 1990 Innovation Annual is a good place to start if you want to find out more about Jennifer Mays, her sidekick Gabriel and their law enforcement link, NYPD detective Roberta Bliss. The series captures some of the then-innovative hard-boiled female private eye vibe that had been unleashed only a few years earlier by Sara Paretsky’s V.I. Warshawski, Sue Grafton’s Kinsey Milhone and, in the comics scene, Max Allan Collins’ (along with Terry Beatty) Ms. Tree. But the real treat is the way Mike W. Barr’s storytelling honors mid-twentieth century pulpy whodunits with real mysteries and perplexing clues, the result being edgy and even a bit hard-boiled without sidestepping the fun factor.