Not-Quite Noir, But All-Fun With Mitchum & Greer.

The script’s by Daniel Mainwaring and his novelist pen name Geoffrey Homes (which is a neat trick), the names behind the source novel and Jacques Tourner’s infamous film noir Out Of The Past from two years earlier. But, it’s also credited to Gerald Drayson Adams, the writer for James Cromwell’s Dead Reckoning. I mention all this not to suggest that postwar film noirs were made in a creatively incestuous community (they kind of were) as much as to give the often overlooked 1949 RKO crime thriller The Big Steal its well-deserved cred. Since it also re-teams noir icons Robert Mitchum and Jane Greer, it ought to be a must-see.

The Big Steal isn’t the dark, provocative and soul-searching kind of noir that Tourneur’s Out Of The Past was. This is more of twisty-turny thrill ride. Here Mitchum’s a soldier wrongly accused of a payroll theft. Greer’s the screwed-over ex of the real thief, and they reluctantly team up to track down the culprit, with Mitchum’s superior officer hot on their trail. Good guys turn out to be bad guys (which keeps the viewer wondering about our two stars as well) and all is resolved through lots of fast-paced chases, abductions, fights and shoot-outs, managing a lot of story and action in just a little over an hour.

A B-movie? Yes, it is. But it’s put together by crime and noir pro’s, stars Robert Mitchum and Jane Greer (never looking lovelier with her bouncy short hair) and the bottom line is, The Big Steal is 100% fun to watch. 

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