Mario’s Mara & Bruce

mara corday by mario chavez

Actress, showgirl and model Mara Corday above (who I believe is still with us at age 89, and who I got to see being both fetching and wicked in an old 1959 Peter Gunn episode rerun Saturday night ) and below, Bruce Wayne by artist and illustrator Mario Chavez. Sorry, but the rather prominent ‘gams’ Wayne’s ogling aren’t actually identified by the artist.

bruce wayne by mario chavez

Raymond Leech

Raymond Leach 1

There seems to be something shared among some UK figurative painters. An affinity for times gone by. The ambience of the taverns and dance halls populated by small time grifters and crooks. Peering into dark bedrooms inhabited by estranged lovers.  Scottish painter Jack Vettriano embraced this somewhat ‘noir-ish’ retro world years ago when he abandoned bright sunlit seashore and resort ballroom scenes.

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UK painter Raymond Leech often dwells in similar milieus, though doing so with an entirely different level of draftsmanship and more visibly soft and ‘painterly’ brushwork.Leech’s bio’s say his affection is for the Cornish Newlyn School of art, like paintings by Stanhope Forbes. And that may be the case with Leech’s charming harborside seascapes. But the darker, brooding paintings shown here probe something quite different, but before drawing too many comparisons between Scottish painter Vettriano and Norfolk bred Leech, keep in mind that it’s unwise to fixate on details like the men’s white shirts and suspenders or even the vaguely 1930’s – 1950’s environments. Shared visual cues in both painters’ work are apparent, but dwelling on them is akin to comparing two artists including red barns in their landscapes or sailing ships in their maritime paintings.

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Leech was born 70 years ago in Great Yarmouth, the eastern most point of England jutting out into the beginnings of the North Sea. As a teen he studied both fine art and graphic design at Great Yarmouth College of Art, and like so many artists, started his career as a designer. But growing skill and increasing success with his paintings eventually directed him to pursue a fine arts career. Not restricted to easel work, Leech works interchangeably in oils, watercolor and pastels.

Raymond Leach 4 Heartbreak Hotel

So, what do UK painters like Jack Vettriano and Raymond Leech really share? Both depict figures sharing the same spaces though they’re often remote and disconnected. Desire is evident, but unfulfilled, love an illusion in scenes that suggest it’s really just for sale. There’s a faux nostalgia (though not sentiment) for undefined mid-twentieth century cinema-style settings and a generous bit of peekaboo voyeurism. But what they may share the most is the fine arts world’s reaction: Disdain or outright dismissal from critics, for them and for most narrative artists, save for the cynical few tricky enough to cloak their figurative work in some sense of irony.

See the next post for additional pieces by UK artist Raymond Leech.

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“Cigarette Girls”: Smoke And Guns

Smoke And Guns

Her bio says that Oakland librarian Kirsten Baldock actually worked as a cigarette girl during her first year in San Francisco. I didn’t realize that even was a job during our lifetimes. But let’s assume her cigarette girl gig was slightly less dangerous than the one she imagined for her urban noir graphic novel Smoke And Guns (AIT/Planet Lar, 2005 trade pb). Drawn by Brazilian artist Fabio Moon, Smoke And Guns imagines a Sin City style urban nightmare divvied up into districts serviced by licensed gangs of cigarette girls like The Chinatown Dolls and The Grand Avenue Belles. They may look, act and sound like ‘working girls’, (very well-armed working girls, that is) but they sell cigarettes, not sex, and when Scarlett breaks the fragile peace by selling smokes on another gang’s turf, all hell breaks loose.

Smoke And Guns Page -

Baldock’s idea’s an imaginative one, and her dialog is a treat, while Moon’s straightforward black and white brushwork-style draftsmanship is a good example of comic art pages being ready-to-shoot storyboards for a film. This may be an oldie, but it’s a goodie that I still see on some comic shops’ graphic novel shelves. If you spot it, check it out.

Smoe And Guns Page

Grande’s Got A Gun

Ariana Grande Complex 1

I’d be fibbing if I claimed to know a lot about singer/songwriter/actress Ariana Grande, other than knowing she’s a major pop star, and had a long run playing endearing and quirky Cat Valentine on Nickelodeon’s Victorious and then on Sam & Cat before mega-stardom beckoned. Hey, I’m not pop culture-clueless, y’know.

But all it takes is a purse-sized pistol and trenchcoat to turn any celebrity – even the adorable ones – into a noir-ish femme fatale or ‘stiletto gumshoe’, and here’s Grande doing just that for Complex magazine (from 2013, I think).

Ariana Grande Complex 3Ariana Grande Complex 4Ariana Grande Complex 2Complex Magazine Cover

Live And Love (With Guns & Bullets)

Live And Love Plank 69

“PlanK-69”? You got me, but that is the name for the concept, gaming and all-around digital artist master, whose work is mostly in the SF/Fantasy/Gaming arena. If you like that sort of thing, check out his/her DeviantArt page, which is huge and overflowing with samples. But tucked right in the middle of countless gaming/superhero characters and SF/Fantasy scenes are a series of intriguing magazine covers, two of which, Live And Love and Guns & Bullets, are shown here. They’re quite different from the rest of PlanK-69’s body of work, and I wish there were more.

Guns And Bullets

Les Diaboliques

The Fiends 1952

Cover illustration for The Fiends (1952) by Boileau-Narcejac, originally titled She Was No More, adapted into the 1955 film Les Diaboliques. Boileau-Narcejac is the pen name for the writing duo of Pierre Louis Boileau (1906-1989) and Pierre Ayraud (1909-1998) who also wrote as Thomas Narcejac. The pair wrote over 40 novels together starting in 1952, including The Living And The Dead (1954) adapted by Alfred Hitchcock for 1958’s Vertigo.

 

Gun Crazy

Gun Crazy 1

Nothing to do with the iconic Joseph H. Lewis 1950 cult classic film noir Gun Crazy co-scripted by Dalton Trumbo for the King Brothers. These are selected images from the “Gun Crazy” series by photographer Vladimir Volf Kirilin.

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Erik Almas

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San Francisco area photographer Erik Almas came from Norway to the U.S to attend the Academy of Art University and then ended up staying. Almas is perhaps best known for his cinematic styled fashion, advertising and editorial work, much of it done with his unique compositing techniques. Take a look for yourself at erikalmas.com or the photographer’s blog at blog.erikalmas.com.

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