Some Vintage ‘Stiletto Gumshoes’

Klassik Komix Holywood Detective Front

Mini-Komix’ (or is it Klassik Komix?) Hollywood Detective is a 100-page trade paperback combining several Dan Turner – Hollywood Detective stories (most of which I already had in other compilations or pulp reprints) with some relative rarities, including genuine ‘stiletto gumshoes’ from the 1940’s – 50’s. Now I’m no vintage crime comics historian, but I think the non-Dan Turner pieces aren’t from Dan Turner – Hollywood Detective magazines, but from the vintage crime pulp Speed Detective, which included (and actively promoted) a comics section in most issues, including Ray McClelland’s “Gail Ford – Girl Friday” and Gene Leslie’s “Queenie Starr – Glamour Girl Of Hollywood” along with Newt Alfred’s “Ray Hale – News Ace”.

3 Super Detectives

This book includes all of those, plus a “Betty Blake” four page shortie. H. L. Parkhurst’s Betty Blake was a contemporary of Alphonse Barreaux’ Sally The Sleuth, both launched in the Spring of 1934, though Betty only managed to survive for a half dozen appearances while Sally The Sleuth continued (in evolving forms) well into the 1950’s. Additionally, Betty, the daughter of a New York police inspector, somehow managed to keep her clothes on while solving crimes, unlike Sally The Sleuth. I’d tell you more, but Hollywood Detective includes no introduction, back matter, dates, details…nothing. There’s a write-up on this early female detective pulp/comics character from Kevin Burton Smith at the Thrilling Detective site. Check it out.

Gail Ford

For me, the real treats in this slim book are the Gail Ford – Girl Friday story, “Girl Snatchers” (a sample page shown above) and the three Queenie Starr – Glamour Girl Of Hollywood stories. I’d read little snippets here and there about these characters, perhaps seen some random panel art (typically unidentified or credited) at a Tumblr blog, Pinterest or elsewhere. But now I finally got to read a few complete pieces. If you’re into the roots of female detectives, cops, reporters and sundry snoops from the mid-twentieth century, they were a real find.

Queenie Starr

McClelland’s Gail Ford and Leslie’s Queenie Starr (Ms. Starr shown right above) have a bit of the era’s pervy peekaboo Good Girl Art feel to them, no question. Queenie Starr in particular, seems to spend a lot of time posing for cheesecake photos or sunning poolside in a bathing suit…reasonable enough, perhaps for a ‘Hollywood Glamour Girl’. But not unlike Barreaux’ Sally The Sleuth, she spends an inordinate amount of time getting dressed and undressed. Unfortunately for the various Hollywood crooks, schemers and murderers she gets mixed up with, prancing about in negligees or lingerie doesn’t seem to hinder her ability to solve Tinsel Town’s crimes. All in all, quirky retro stuff, but very interesting.

Super Detective May 1950

 

 

Amber Blake

Amber Blake 1 Variant Cover

Headlines about billionaires engaged in sex trafficking and rampant abuse of underage girls make a comics series feel all too uncomfortably real. Case in point: IDW Publishing’s current Amber Blake series, written by Jade Lagardere and drawn by Butch Guice, with inking, coloring and lettering assistance by Mike Perkins, Christa Miesner, Robbie Robbins and Dan Brown.

Only a toddler, Amber’s left on a bleak orphanage’s doorstep. Several years later, she and bestie Amanda are given the chance to live in one of billionaire Arnav Aslam’s Cleverland institutions: Opulent, state of the art living and educational campuses located around the world and intended to gather together gifted youngsters in order to cultivate the next generation of leaders in the arts, sciences, business, government and technology. But even in Cleverland hallowed halls, Amber and Amanda are forced to endure the evil headmaster’s abuse, and after graduation, Amber vows to get her revenge. Three issues in, Amber Blake finds herself enlisted as an agent of a secret paramilitary/espionage organization, which she embraces in order to track the elusive headmaster, only to discover that she’s being used and that the head of the organization is none other than her presumed benefactor, Arnav Aslam, whose billions can buy more than power.

 

Amber Blake is another in an expanding number of magazine-sized comics series, blending some taut action sequences with a bit of suspense, a dash of romance and an overall thought provoking storyline that feels, in part, ripped right form current headlines (though obviously it was written months and months ago). Amber herself is determined and capable, tough but vulnerable, and definitely not a superhero, which is refreshing. I’m looking for to the next issues. Check it out.

 

Cruel Summer

criminal number six cover

Issue number five of Ed Brubaker and Sean Phillips’ always magnificent Criminal commences a new storyline called “Cruel Summer, apparently planned from the very beginning of the Criminal series. It opens here with private investigator Dan Farraday’s pickup lines rebuffed by an attractive single woman in a hotel lounge. When she cautiously relents, we discover that this ‘Jane Hanson’ is actually Marina Kelly, the very woman Farraday’s been hired to locate. Things don’t go precisely as planned with the hotel bar pickup, any more than Farraday’s investigation did, but then this is an Ed Brubaker story, so of course things don’t go precisely as planned. Evidently, issues six and seven will switch gears and zero in on other familiar Criminal characters, notably Teeg Lawless, before bringing things back full circle with Farraday and Marina. Phillips’ art is brilliant, as always. Brubaker’s script doesn’t exhibit one wasted word that I can see. Like every issue of Criminal before, I’m hungering for the next installment the moment I close the comic’s back cover. Phillips’ cover art for that issue – Issue Number Six – is shown above.

Like most (all?) issues of Criminal, this one includes excellent extras, here a roundtable discussion on crime fiction (and media) series characters with Ed Brubaker, Jason Starr, Alex Segura and Sara Gran. Heck, even if you didn’t care for crime comics, the issue’s worth buying for that alone.

criminal number 6

Mafiosa

Mafiosa Cover

Spotted at Crime Fiction Lover (and you just have to love the straightforward name of that site, dontcha?):

Planned for a first issue to be released in August 2019, Mafiosa is scripted by Sunshine Barbito with art by Debora Carita. Set in Prohibition era Little Sicily, it tells the story of 18 year old Nicoletta Marchesi, daughter of a made man who aims to join the family business herself. From the description I read, it sounds like this mafiosa is more lethal than any mafioso, and I’m anxious to see more.

Looks like the book’s launch is relying on a Kickstarter campaign. There are some sample pages and a handy link to Mafiosa’s Kickstarter page at Crimefictionlover.com (link below). Check it out for info on this forthcoming comic, or just to learn more about Crime Fiction Lover, “The Site For Die Hard Crime And Thriller Fans”, if you’re unfamiliar with the spot-on news, reviews, interviews and features you’ll find there.

https://crimefictionlover.com

The Blonde Viper

The Blonde Viper 1

Viper Bionda – “The Blonde Viper” – is the original protagonist and title of a series of 1970’s Italian erotic crime comics, with some 30+ issues in its original run, the character then also appearing in other titles like Wallestein and Baghera, stepping far afield from crimes and mere bedroom play and increasingly combatting supernatural threats like vampires and sundry other monsters. All silly stuff, but a lot of the art – covers and interior panels alike – are intriguing. Finding post-able images from Euro-Sleaze comics, pulps, and Giallo crime novels can be challenging since so many are just a little too out-there for me. This one’s from the prince of perversity himself, Emanuelle Taglietti, and may just be one of the tamest pieces of cover art he ever did.

taglietti

Dakota North

By Michael Lark 3

No surprise that Marvel’s Dakota North, created by activist, essayist and writer Martha Thomases along with artist Tony Salmons, was eclipsed by Jessica Jones. Thomases’ groundbreaking much-more-than-a-detective simply appeared 15 years too early, in a marketplace that hadn’t matured enough to embrace smart, accomplished and utterly lethal female characters. Mind you, Max Allan Collins and Terry Beatty already paved the way five years earlier with their memorable Ms. Tree. Today? Indie comics and the majors alike are teeming with Dakota North, Ms. Tree and Jessica Jones clones.

Dakota North - 4 Covers

Former fashion model, daughter of a CIA agent and now owner of her own private investigations firm headquartered in New York, with satellite offices in Paris, Rome and Tokyo, Dakota North only had a five issue mini series in 1986-87, then made numerous appearances in various other Marvel titles. Dakota North was slated for another series in 2006, but that never materialized.

Dakota North

Nonetheless, Thomases’ creation was an important character, and finally available in a trade pb compilation, Dakota North – Design For Dying released this time last year, which includes those first Dakota North issues plus a number of (though not all) her appearances in other titles.

Dakota North - Cover

The terrific B&W illustrations included at the top and below are by Michael Lark. And, in keeping with ‘great minds think alike’: I scheduled this post in the middle of the week of the 23rd-29th (most of my posts are pre-scheduled days ahead of appearing), and when I scrolled through posts at my blog aggregator (Bloglovin…very handy tool!) I see the venerable Not Pulp Covers at Tumblr posted a Tony Salmon Dakota North page.  Mind you, Not Pulp Covers is clearly run by a much greater mind than mine!

By Michael Lark 2By Michael Lark 1

Undercover Girl (Well, One Of Them)

Alexi Smith 3

An Academy Award nominee it wasn’t, and labeling Universal’s 1950 Undercover Girl a ‘film noir’ might be broadening the genre’s parameters a bit. Or not, depending on where you draw the line between ‘noir’ and postwar crime melodrama. Pretty sure there’s no connection to the popular comic character Starr Flagg – Undercover Girl from right around the same period, which was created by that human writing machine Gardner Fox with art by Ogden Whitney, first appearing in Manhunt starting in 1947, graduating to her own short-lived comic title in 1952.

Starr flagg Undercover Girl

Still, Canadian born actress Alexis Smith, perhaps best known to noir and crime film fans for The Two Mrs. Carrolls alongside Humphrey Bogart in 1945, wields a revolver pretty well in this postwar era crime-action film as a rookie cop out to nab the narcotics gang responsible for her father’s death. Or at least, she does it handily in the film’s publicity stills.

Alexis SmithAlexis Smith 2Alexis Smith Undercover Girl 1950Undercover girl colored

Natasha.

Paul Gulacy - Natasha

Sure, I get it: We’re supposed to go for Marvel’s Black Widow when she’s sporting her form-fitting black catsuit. But in artist Paul Gulacy’s capable hands, I think she looks every bit as lethal in a trenchcoat. I’ve posted an example of Gulacy’s take on Natasha Romanova before (link below). He does have a way with black and white, doesn’t he?

Paul Gulacy - Natasha 4Paul Gulacy - Natasha 3Paul Gulacy - Natasha 2

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An Embarrassment Of Riches

New books waiting to be read hereabouts usually are left on one particular endtable right next to my favorite reading chair. I pass it constantly, so any library books stare back at me as a reminder to return them on time. Normally there are a few books stacked there, and should I fall behind, a couple more might pile up.

But right now, there’s an embarrassment of riches piled high on the endtable. Whether that’s because I’ve really fallen behind in my reading or simply have acquired too many books the past couple weeks (much more likely), I couldn’t say for sure. And I’m not even counting the stack of half a dozen Adventure House trade pb pulp reprints of 1940’s Spicy Detective and Spicy Mystery magazines I got just last week. All I know for sure is that there’s a lot of reading to catch up on this summer.

I’m holding off on Phillip Kerr’s final Bernie Gunther novel, Metropolis and James Ellroy’s This Storm till I can really hunker down with them. Those two are books to be savored. Fingers crossed: Unless something intervenes, I’m on schedule for a four-day getaway next weekend. Sure, I could spend it swimming, canoeing and hiking. But an easy chair, a fireplace and either Kerr or Ellroy sounds good too. Maybe I’ll flip a coin.

Knowing that I have a couple more books reserved at a nearby bookstore and due in this or next week, and one or more backordered from the online behemoth, I can only hope that old endtable is sturdier than it looks.

  • Robert J. Randisi’s Fifty Shades Of Grey Fedora – A Private Eye Writers Of America anthology
  • Jump Cut by Libby Fisher Hellman
  • Ka-Chow: Dan Turner In Pictures by Robert Leslie Bellem and Adolphe Barreiax
  • Hollywood Detective with Dan Turner, Queenie Starr, Betty Blake and more
  • Metropolis by Phillip Kerr, the final Bernie Gunther novel completed before the author’s untimely death.
  • The Shadow Land by Elizabeth Kostova, author of the great The Historian and The Swan Thieves
  • Speakeasy by Alisa Smith
  • This Storm by James Ellroy, the second entry in his new L.A. Quartet (Perfidia being the first)
  • Where Monsters Hide by M. William Phelps, a rare true-crime book (rare for me, that is)
  • The Moneypenny Diaries by Kate Westbrook
  • The Best Of Spicy Mystery – Volume 1
  • Westside by W. M. Akers

I’m nearly through Fifty Shades Of Grey Fedora as I write this, but will surely be done with it by the time this appears, so more about the one shortly.

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