The Real Chicago.

Velma And Roxie

Understandable if you only think of Chicago as Broadway darling Bob Fosse’s brainchild (along with John Kander and Fred Ebb), the hit musical debuting in 1975, revived in 1997 and adapted for the 2002 film with Renee Zellwegger, Catherine Zeta-Jones and Richard Gere. But it really begins with journalist, playwright and screenwriter Maurine Dallas Watkins’ creation, originally running on Broadway in 1926, adapted to a 1927 silent film and again in 1942 as Roxie Hart starring Ginger Rogers.

Ginger ROgers - Roxie Hart

Louisville, Kentucky native Maurine Dallas Watkins (1896 – 1969) attended college back east, studying to be a playwright, but ended up in Chicago where she landed a job as a reporter for the Chicago Tribune in 1924. The Trib was one of seven dailies, each competing for attention in what may be the then Second City’s most colorful era, with Prohibition in full force, speakeasies on every corner, Al Capone-Bugs Moran gang wars turning the streets into a war zone and Chicago’s legendary political corruption overseeing it all. Watkins had no shortage of tawdriness to cover, including the Leopold And Loeb kidnapping/murder case and the sensational trials of two photogenic ‘jazz babies’ accused of crimes of passion: Cabaret singer Belva Gaertner, “the most stylish on murderess row” and Beulah Sheriff Annan, “the beauty of the cell block’. Far from sympathetic, Watkins was frustrated by the ease with which the two women managed to manipulate her male colleagues, particularly since she was convinced that both women were guilty as hell.

old posters

Soon after leaving the Tribune, Watkins returned to school and drama workshops, where she penned The Brave Little Woman, which she soon revamped into Chicago, in which Beulah became Roxie Hart and Belva morphed into Velma Kelly. The play debuted on Broadway in 1926 and was an immediate hit, spawning successful road tours (one with a very young Clark Gable) and inevitably landed in Hollywood…Watkins ending up there as well. Her play was adapted to the silent screen by Cecil B. Demille, and with major changes, into 1942’s Roxie Hart. Meanwhile, Watkins became a moderately successful screenwriter, her best-known film being Libeled Lady from 1936 with William Powell, Myrna Loy, Spencer Tracy and Jean Harlow. She retired to Florida, quite well off and by then deeply religious, turning down further offers for the rights to Chicago, regretting the part she played in glorifying two murderers who escaped justice. But after she passed away in 1969, her estate sold the rights to Bob Fosse, who glammed up the jazz baby killers more than ever.

He Had It Coming Book

The story behind all this will be told in detail soon. Chicago Tribune Publishing will release Kori Rumore and Marianne Mather’s He Had It Coming – Four Murderous Women And The Reporter Who Immortalized Their Stories in November. The book grew out of Tribune photo editor Mather’s discovery of decades-old boxes of photo negatives of the ‘real’ Roxie, Velma and others collected by Maurine Dallas Watkins, which led her to research the fifty-plus Watkins’ Tribune bylines. The result is a biography of Maurine Dallas Watkins and a profile of the sensational Belva Gaertner/Beulah Sheriff Annan trials — a long overdue honor for one of the Trib’s own, and aiming to set the story straight on a couple of flapper-fatales from history and the real story behind Roxie, Velma and Chicago.

What’s Beyond The Edges.

Brian Tull 2

Born in 1975, Brian Tull’s only way to remember the 1930’s through 1950’s is through his imagination. Which must be vivid, and which he draws upon to create his enormous photo-realistic paintings and public art murals, each “strategically cropped…sometimes confrontational and often featuring the female figure as protagonist, giving you a subtle glimpse into the characters’ lives. Usually leaving you wondering what or who is beyond the edges.” Retro? Yes, and wonderfully so, but there’s more at work here than mere nostalgia. Check out more of the artist’s work at his site (if only to get a better feel for the size of the paintings): briantull.com.

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Gal Friday

gal friday by chris samnee 2008

No, it’s not vintage Gail Ford – Girl Friday, but a different look at a “Gal Friday’, this piece called just that and by Chris Samnee from 2008.

Gail Ford – Girl Friday

Gail Ford

Homicide Bureau Inspector Madson’s able assistant Gail Ford is rarely seen slogging through routine office chores or clerical duties, more typically enlisted to go undercover to help the police solve vexing cases, palming herself off as everything from a greasy spoon waitress to a department store clerk, a personal maid or a fresh-off-the-bus rube just arrived in the big bad city.

Gail Ford – Girl Friday was created by Gene Leslie and first appeared in Crime Smashers in 1950. Or, depending on the source, she was created by Ray McClelland, and also appeared in Smash Detective magazine as one of that crime fiction pulp’s comics features. I’ll have to leave it up to vintage pulp and comics experts to confirm authorship and venues, none of which matters much to a non-collector like myself. But the 15 stories included in this Gwandanaland trade paperback are supposed to be from 15 consecutive Crime Smashers issues running from 1950-1953. A couple are credited to Pierre Charpentier and Keats Petree.

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Unlike some near-contemporaries like Adolphe Barreaux’ well-known Sally The Sleuth or Queenie Starr, Gail Ford – Girl Friday managed to chase crooks and solve crimes without losing all of her clothes. A smart investigator and quite the daredevil, she kept a revolver handy in her purse and knew how to use it, and had to trade blows more than once with menacing thugs, most of whom learned the hard way just what a high heel can really do when there’s a full-force Gail Ford kick behind it. She almost seems like a prototype for Mickey Spillane’s Velda, right down to the shoulder length Bettie Page style hairdo, complete with neatly trimmed bangs.

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The Gwadanaland book includes no intro, front or back matter, just scans of the comics pages themselves. But it’s a nicely printed book and the material is all quite crisp and readable, considering. The firm aims to publish largely forgotten public domain material, and I’ll be getting more from them for sure.

 

Tango Noir.

Jorge Botero Lujan 1

Just a dance? No, seems like much more. Intriguing paintings from Jorge Botero Lujan, artfully capturing the steamy embraces of dark ballroom romance.

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“Our Last Hours Before He Killed Himself”

olga sherer by elisabeth toll bon magazine 2009 our last hours before he killed himself

I often say that many ‘artsier’ and edgier fashion editorials tell a story, or mean to at any rate. But even if creative directors, art directors and photographers have lofty narrative goals, the purpose of the shoots is to sell clothes. Or shoes, makeup, accessories or whatever.

But when a shoot is titled “Our Last Hours Before He Killed Himself”, as is this one by Elisabeth Toll with model Olga Sherer for a 2009 issue of Bon magazine…well, clearly the creative team had something narrative in mind. And that’s one hell of  title.

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At The Rap Sheet

The Rap Sheet

Thanks to J. Kingston Pierce’s always excellent The Rap Sheet blog (link below) for a mention and link to The Stiletto Gumshoe site and my recent post on James Ellroy’s This Storm. If you already follow The Rap Sheet, you know what a treasure it is. If you don’t, then why the hell not? The emailed updates are always welcome in my inbox and likely to send me foraging online through endlessly intriguing articles and sites. So be warned: A quick peek at The Rap Sheet will inevitably lure you into some well-spent time delving deeper into that site and many others.

Sweet Cheat, 1959 - ernest chiriacka cover

Seemed fitting that on the day The Rap Sheet included a mention of The Stiletto Gumshoe, it led off with a pic of Peter Duncan’s Sweet Cheat (“She Was The Nicest Bad Girl In Town”) with its gorgeous Ernest Chiriaka cover, that paperback from 1959, the very same year The Stiletto Gumshoe’s hoped-for noirish crime fiction series is set in. Serendipitous indeed! The Duncan novel’s a link to a 2010 page from the great Bill Crider’s (1941- 2018) own blog — Bill Crider’s Pop Culture Magazine (link below), which ran for sixteen years, is yet another incredibly informative and entertaining site you can get lost in, and is sorely missed by many.

https://therapsheet.blogspot.com

http://billcrider.crider.blogspot.com/

And Some More Suarez…

fernanda suarez 2

Some more work from Santiago, Chile concept artist and illustrator Fernanda Suarez, who may be familiar to many for her intriguing artistic rethinks of famous Disney characters. Suarez’ gorgeous work is easily located at Art Station, Tumblr, DeviantArt and elsewhere (a couple links are below to get you started). Now, much of the work is quite witchy, mystic and fantasy oriented, along with some very fetching vampiric looking ladies of the night, but all quite stunning, even if that’s not your thing.  You have to dig deep to locate the slightly more ‘noir-ish’ among the pieces, but its’ well worth the search.

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fernandasuarezartstation.com

fdasuarez.tumblr.com

 

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