Mario’s Mara & Bruce

mara corday by mario chavez

Actress, showgirl and model Mara Corday above (who I believe is still with us at age 89, and who I got to see being both fetching and wicked in an old 1959 Peter Gunn episode rerun Saturday night ) and below, Bruce Wayne by artist and illustrator Mario Chavez. Sorry, but the rather prominent ‘gams’ Wayne’s ogling aren’t actually identified by the artist.

bruce wayne by mario chavez

Gunn’s Hart

Lola Albright 1

Lola Albright played Edie Hart, jazz club chanteuse and girlfriend to Craig Stevens’ private eye Peter Gunn in the 1958 – 1961 ABC TV series of the same name. Actually, her real name — Lola Albright — almost sounds better for a quirky little jazz club singer than her made-up character name. And it was the actress and singer’s real name.

Loal Albright 2

Lola Jean Albright was born in Akron, Ohio in 1924, juggling small-time singing gigs while modeling in Chicago until a talent scout lured her to Hollywood in 1947. Two years in she got her first break alongside Kirk Douglas in 1949’s Champion, but continued to toil in small parts, B-movies, Westerns and television roles, still working as a model on the side, which included posing for well-known pin-up and ‘good girl art’ painter Gil Elvgren. In 1958 she was cast as Edie Hart in the new Blake Edwards produced ABC series Peter Gunn, doing her own singing in nearly forty episodes, nominated for an Emmy in 1959, while recording several successful record albums. During Peter Gunn’s third and final season she fell for the actor/musician portraying the piano player at Mother’s, the little bohemian jazz club private eye Peter Gunn used as his unofficial headquarters, and the two were married from 1961 to 1975. Albright passed away at age 92 in 2017.

A Cold Wind In August

If you get a chance to catch some Peter Gunn episodes, check them out. Hopefully they’ll be the dark, suspenseful and gritty ones, which are a real treat. As is Lola Albright’s breezy performances…and her singing, if you’re fortunate enough to view one in which she performs.

Lola Albright 3

TV Noir With A Mancini Soundtrack

Peter Gunn 1

I can’t keep track of all the oddball cable channels I can access. FETV? Never heard of it, but apparently it’s one of far too many syndicated rerun channels cluttering the cable landscape, and definitely wasn’t marked as a favorite. That is, until I discovered that FETV was running three back-to-back episodes of Peter Gunn, the 1958 – 1961 ABC detective series created by Blake Edwards and starring Craig Stevens as the titular private eye with Lola Albright as his jazz chanteuse girlfriend, Edie Hart.

Peter Gunn 2

Set in an unnamed waterfront city that could hug either coast (but is actually far-too-familiar Universal and later MGM backlot streets), suave and perpetually cool Peter Gunn uses quirky jazz club Mother’s as his unofficial office, drives a car-phone equipped big-finned two-tone ’58 DeSoto and typically gets a cool grand for his jobs. Always nattily attired, Gunn’s not afraid to get his hands dirty, and is good with his fists in a tussle with thugs and, in keeping with his name, ready with his gun when needed. Creator Blake Edwards aimed for a cool, hip tone with this series. The look is visibly ‘noir-ish’, most scenes set at night, the redundantly re-used sets kept dark and shadowy, often filmed in jarring camera angles, and all enhanced by Henry Mancini’s jazzy score. In fact, the “Peter Gunn Theme”, which you’d recognize right away if you heard it, was nominated for an Emmy and two Grammys.

Peter Gunn 4

Not to overpraise. This is still crank-em-out late ‘50’s-early 60’s era TV, and there are some genuinely silly episodes, either formulaic whodunits or misguided attempts at lighthearted humor. The urbane P.I. in a wild west ghost town? Peter Gunn babysitting a seal? Well, skip those and focus on the good ones, and there are a bunch, at least from those I’ve seen so far. Dark, moody and then suddenly erupting with unexpected violence, the best episodes of Peter Gunn are as good as many film noirs and neo-noirs, just compressed into a half hour time slot.

Peter Gunn 5

Blake Edwards also wrote and directed a number of the episodes, and several years later took another whack at his Peter Gunn creation, directing a feature film (co-written with William Peter Blatty of The Exorcist fame) released by paramount and starring TV’s Craig Stevens. There’ve been further attempts to revive the character in 1989, 2001 and as recently as 2013 by TNT, but nothing’s come of them. A DVD boxed set exists, and if I stumble across it at a reasonable price, I’d go for it.

Peter Gunn 3

Raymond Leech

Raymond Leach 1

There seems to be something shared among some UK figurative painters. An affinity for times gone by. The ambience of the taverns and dance halls populated by small time grifters and crooks. Peering into dark bedrooms inhabited by estranged lovers.  Scottish painter Jack Vettriano embraced this somewhat ‘noir-ish’ retro world years ago when he abandoned bright sunlit seashore and resort ballroom scenes.

Raymond Leach 2

UK painter Raymond Leech often dwells in similar milieus, though doing so with an entirely different level of draftsmanship and more visibly soft and ‘painterly’ brushwork.Leech’s bio’s say his affection is for the Cornish Newlyn School of art, like paintings by Stanhope Forbes. And that may be the case with Leech’s charming harborside seascapes. But the darker, brooding paintings shown here probe something quite different, but before drawing too many comparisons between Scottish painter Vettriano and Norfolk bred Leech, keep in mind that it’s unwise to fixate on details like the men’s white shirts and suspenders or even the vaguely 1930’s – 1950’s environments. Shared visual cues in both painters’ work are apparent, but dwelling on them is akin to comparing two artists including red barns in their landscapes or sailing ships in their maritime paintings.

Raymond Leach 3

Leech was born 70 years ago in Great Yarmouth, the eastern most point of England jutting out into the beginnings of the North Sea. As a teen he studied both fine art and graphic design at Great Yarmouth College of Art, and like so many artists, started his career as a designer. But growing skill and increasing success with his paintings eventually directed him to pursue a fine arts career. Not restricted to easel work, Leech works interchangeably in oils, watercolor and pastels.

Raymond Leach 4 Heartbreak Hotel

So, what do UK painters like Jack Vettriano and Raymond Leech really share? Both depict figures sharing the same spaces though they’re often remote and disconnected. Desire is evident, but unfulfilled, love an illusion in scenes that suggest it’s really just for sale. There’s a faux nostalgia (though not sentiment) for undefined mid-twentieth century cinema-style settings and a generous bit of peekaboo voyeurism. But what they may share the most is the fine arts world’s reaction: Disdain or outright dismissal from critics, for them and for most narrative artists, save for the cynical few tricky enough to cloak their figurative work in some sense of irony.

See the next post for additional pieces by UK artist Raymond Leech.

Raymond Leach 10

 

Trapped (1949)

Trapped 4

Until recently, Richard Fleischer’s 1949 film noir Trapped was relegated to grainy DVD’s mostly seen on sale racks and in cut-out bins, the poverty row Eagle-Lion Films production being in the public domain. Newly restored by the Film Noir Foundation and UCLA Film and Television Archive, with support from the Hollywood Foreign Press Association, Trapped can now be properly viewed and reassessed as much more than a forgettable low-budget B-movie, and clearly part of the classic postwar noir canon (if cult fans hadn’t already positioned it there).

Trapped Poster

Produced by Bryan Foy, expertly living up to his previous status as the “King Of The B’s” at Warner Brothers and by ’49 in charge at Eagle-Lion, newly restored Trapped received a proper presentation on TCM this past weekend, with Noir Alley host, Film Noir Foundation founder and maestro of all-things-noir Eddie Muller providing an engaging overview of the stories behind the film.

Trapped 1

Think of Trapped as a precursor to William Freidkin’s 80’s neo-noir To Live And Die In L.A., with convicted counterfeiter Lloyd Bridges, in his first real leading man role, here furloughed from prison to assist the Feds with the retrieval of a set of near-perfect $20 bill plates. But Bridges escapes and a dizzying set of double-crosses unfolds. Halfway in, I was ready for any G-Man to be revealed for a crook, and for any counterfeiter to flip out a Treasury Department badge.

Trapped 2

What I wasn’t ready for was just how good twenty-one year-old actress Barbara Payton could be in her own breakout role, playing a nightclub cigarette girl and Bridge’s girlfriend/accomplice. Her sexy, gritty performance (with an undercurrent of weary vulnerability) captivated audiences 70 years ago, along with some Warner Brothers bigwigs who immediately put her under contract. But Payton’s success was short-lived, her penchant for fellows, booze and brawling ending her career only a few years later, with poverty, scandals and arrests in the years that followed, right up to her untimely death at only 39 in 1967.

Trapped 3

Grande’s Got A Gun

Ariana Grande Complex 1

I’d be fibbing if I claimed to know a lot about singer/songwriter/actress Ariana Grande, other than knowing she’s a major pop star, and had a long run playing endearing and quirky Cat Valentine on Nickelodeon’s Victorious and then on Sam & Cat before mega-stardom beckoned. Hey, I’m not pop culture-clueless, y’know.

But all it takes is a purse-sized pistol and trenchcoat to turn any celebrity – even the adorable ones – into a noir-ish femme fatale or ‘stiletto gumshoe’, and here’s Grande doing just that for Complex magazine (from 2013, I think).

Ariana Grande Complex 3Ariana Grande Complex 4Ariana Grande Complex 2Complex Magazine Cover

Live And Love (With Guns & Bullets)

Live And Love Plank 69

“PlanK-69”? You got me, but that is the name for the concept, gaming and all-around digital artist master, whose work is mostly in the SF/Fantasy/Gaming arena. If you like that sort of thing, check out his/her DeviantArt page, which is huge and overflowing with samples. But tucked right in the middle of countless gaming/superhero characters and SF/Fantasy scenes are a series of intriguing magazine covers, two of which, Live And Love and Guns & Bullets, are shown here. They’re quite different from the rest of PlanK-69’s body of work, and I wish there were more.

Guns And Bullets

Gun Crazy

Gun Crazy 1

Nothing to do with the iconic Joseph H. Lewis 1950 cult classic film noir Gun Crazy co-scripted by Dalton Trumbo for the King Brothers. These are selected images from the “Gun Crazy” series by photographer Vladimir Volf Kirilin.

Gun Crazy 3Gun Crazy 4Gun Crazy 5Gun Crazy 1-A

 

Blog at WordPress.com.

Up ↑