No, not a film noir or even a crime melodrama, Love With The Proper Stranger is one of my guilty pleasure movies. I suppose we’d call it a romance, and though there are multiple scenes that are — if not downright comedic, then certainly played for laughs – it’s hard to think of it as a period rom-com. This is the story of young Angie Rossini, a Macy’s store clerk eager to spread her wings and escape the crowded family apartment shared with an overbearing mother and two vigilant older brothers, all of them anxious to lock her into marriage with a bumbling neighbor. But Angie’s recent one-night stand with roving jazz musician Rocky Papasano (Steve McQueen) leaves her pregnant, so she tracks him down for the name of a doctor and money for a backroom abortion. Doesn’t actually sound like the setup for a light-hearted romance, does it?
Directed by Robert Mulligan from an Arnold Schulman script, the film is unrelentingly gritty and claustrophobic, capturing mid-twentieth century big city life beautifully…beautifully grim, that is. Released on Christmas Day in 1963 (and often listed as a 1964 release), the film may not have been a huge financial success, but did snag five Oscar nominations, including one for Natalie Wood. Schulman penned a novelization of the film, which may have been an expanded version of the original treatment, including some scenes handled differently or not even in the movie, the story told more from Rocky Papasano’s POV.
I’ve mentioned elsewhere on this site that a late 1950’s/early 1960’s Natalie Wood became the model for my imaginary ‘Stiletto Gumshoe’ character, and specifically, it’s her performance in Love With The Proper Stranger – her look, wardrobe, demeanor, and the neatly crafted juxtaposition of assertiveness and vulnerability. Natalie Wood is stunning here in an incredibly real everyday person kind of role, one that countless young women surely could relate to back in 1963. If you get a chance to see this one, check it out.