Noiquet.

Noirquet--1974

Spanish painter Joan Beltran Bofill (1939 – 2009) was best known in fine arts circles as a contemporary Impressionist, his sumptuous light-filled paintings recognized for nostalgic settings and lush, swirling brushwork. But, like so many artists, Joan (don’t be confused, Joan’s a man’s name in this case) juggled both fine art and commercial art careers, and was also a popular European paperback and digest cover illustrator, particularly in the 1960’s and 70’s.

Noiquet - Beltran

Beltran Bofill came from Barcelona, studied at the Casa Lomja (Picasso had been a student there) and the Sant Jordi Fine Arts School. In an effort to keep the easel painting and illustration work separate, the artist worked under the name ‘Noiquet’ for various series of children’s books, Zane Grey westerns, and a number of standalone mystery/crime fiction novels and series, including Hank Janson and Agatha Christie books, Earle Stanley Gardner’s Perry Mason and saucy Carter Brown series. You’ll see hints of American illustrators like Robert McGinnis, Victor Kalin and others in Noiquet’s work, most of them excellent period pieces showcasing a real 60’s/70’s/80’s feel.

Noiquet 1974

Rooting around, I see many covers or even original illustrations questionably credited to Noiquet, some of which simply don’t look at all like the artist’s style, or lack his distinctive and usually prominent signature. Tempting as it may be to show them here, I’ll pass, but this post includes several examples of the artist’s work from the early 1960’s through the mid-80’s. A follow-up tomorrow will include some more…

Noiquet - FBI Series 1968

Noiquet

Noiquet

More From Bertil Hegland

Bertil Hegland 1

A few more examples of Swedish artist Bertil Hegland’s mystery/crime fiction cover art, the illustrator’s career tragically cut short at age 42 when an accident caused him to lose the use of his hand. Look for the preceding post for more examples of Hegland’s work.

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Love, Libel And Murder

Invasion Of Privacy

“He was head over heel – in love and libel and murder…”

Illustration by Joe Bowler for Harry Kurnitz’ “Invasion Of Privacy” from Collier’s magazine, 1955.

1955 joe bowler

You Have Killed Me.

You Have Killed Me Cover

Cold and windy under nonstop pouring rain, last Saturday would’ve been a good day to stay indoors. But I ventured out to pick up a current events book reserved at the library (there being a current event or two to keep tabs on these days). The local public library’s a bit lean on actual books, but is well appointed with comfy reading nooks, plush seating and even a fireplace. Almost ready to check out, Jamie S. Rich and Joelle Jones’ You Have Killed Me caught my eye on the graphic novel section’s endcap. I have it, of course, being an ardent Jones fan. Still, I paused to flip through the 2018 trade pb edition of this 2009 graphic novel anyway. Before I knew it, I’d dropped into one of those fireside chairs to reread this yummy bit of retro noir fun from cover to cover before dashing back out into the rain.

You Have Killed Me Art

Some will holler cliché. Me? I see nothing but classic noir and hard-boiled genre tropes lovingly celebrated in Rich’s story, a smooth flowing piece of work that reads like a period-perfect screenplay for a 1940’s-50’s noir. As for Joelle Jones art? Fans might be surprised to see some softer lines and curvier faces here and there, but it’s still Joelle Jones’ brilliant, stylized draftsmanship throughout, and an excellent chance to see where she was ten years ago. The pair make an excellent team (as seen since on Lady Killer, for example) in this tale of hard luck P.I. Antonio Mercer, hired by wealthy and beautiful Jessica Roman to locate her sister Julie, who’s gone missing on the eve of her society wedding…the missing Julie also Mercer’s one-time lover. But family dramas and messy love affairs are the least of Mercer’s problems once he begins to tangle with gamblers, gangsters and hard-assed cops in jazz clubs, racetracks and roadhouses. Any savvy noir fan will smell a rat – or at least an untrustworthy femme fatale – early on, but even the savviest may not be ready for what really happened to the missing sister. Trust me: This one’s a treat.

Sure, I got soaked on my way back to my car. But I did get the political rant hardcover I’d reserved a week earlier (just to drive myself nuts) and had a good time savoring Jamie Rich’s wordsmithing and ogling Joelle Jones art, both every bit as tasty today as ten years ago when the book came out.

 

Paul Mann

Paul Mann 1

In the preceding post, Daniel Kraus’ new Blood Sugar from the Hard Case Crime line depicted a Good Girl Art pinup style Halloween witch on its cover, done by Salt Lake City, Utah artist and illustrator, Paul Mann.

Paul Mann 2

In fact, Mann seems to be Hard Case Crime’s current go-to artist, if you check out their site. You can also go to paulmannartist.com to find out more about this talented artist and his traditionally styled work.

Paul Mann 3

Pascale-Mira Taurua

Pascale-Miria Taurua 2

Pascale-Mira Taurua didn’t set out to be an artist. Originally a model, she was crowned Miss France in 1978, though relinquishing the title six months later. But painting beckoned, and after studying at the Conservatoire des Arts in Tahiti during the 1980’s, her first gallery show occurred in the early 2000’s, and since, she’s been hard at work in her studio in the small French village of Pau in the shadow of a King Henry IV castle.

Pascale-Miria Taurua 1

She works primarily in traditional oil on canvas, though sometimes (as seen in examples of her work) more adventurous pieces might be in mixed media acrylics with collage. Clearly much of her work is inspired by the same modeling and fashion worlds she once was a part of, with some paintings even reworking well-known fashion photos. Yes, there’s glamor here. But there’s something more, a cynicism perhaps, or something maybe just a bit darker?

Pascale-Mira Taura 4Pascale-Mira Taura 3Pascale-Mira Taura 5Pascale-Mira Taura 6

Intermission.

Giro 2018

The piano man’s taking five, so the club’s chanteuse can finally relax with a well-earned smoke, and maybe even a sigh once she’d finally set those lethal heels aside. It’s a nifty bit of noir-ish illustration by Giro. Look for more at Giroillustrator.tumblr.com

Mario’s Mara & Bruce

mara corday by mario chavez

Actress, showgirl and model Mara Corday above (who I believe is still with us at age 89, and who I got to see being both fetching and wicked in an old 1959 Peter Gunn episode rerun Saturday night ) and below, Bruce Wayne by artist and illustrator Mario Chavez. Sorry, but the rather prominent ‘gams’ Wayne’s ogling aren’t actually identified by the artist.

bruce wayne by mario chavez

Raymond Leech

Raymond Leach 1

There seems to be something shared among some UK figurative painters. An affinity for times gone by. The ambience of the taverns and dance halls populated by small time grifters and crooks. Peering into dark bedrooms inhabited by estranged lovers.  Scottish painter Jack Vettriano embraced this somewhat ‘noir-ish’ retro world years ago when he abandoned bright sunlit seashore and resort ballroom scenes.

Raymond Leach 2

UK painter Raymond Leech often dwells in similar milieus, though doing so with an entirely different level of draftsmanship and more visibly soft and ‘painterly’ brushwork.Leech’s bio’s say his affection is for the Cornish Newlyn School of art, like paintings by Stanhope Forbes. And that may be the case with Leech’s charming harborside seascapes. But the darker, brooding paintings shown here probe something quite different, but before drawing too many comparisons between Scottish painter Vettriano and Norfolk bred Leech, keep in mind that it’s unwise to fixate on details like the men’s white shirts and suspenders or even the vaguely 1930’s – 1950’s environments. Shared visual cues in both painters’ work are apparent, but dwelling on them is akin to comparing two artists including red barns in their landscapes or sailing ships in their maritime paintings.

Raymond Leach 3

Leech was born 70 years ago in Great Yarmouth, the eastern most point of England jutting out into the beginnings of the North Sea. As a teen he studied both fine art and graphic design at Great Yarmouth College of Art, and like so many artists, started his career as a designer. But growing skill and increasing success with his paintings eventually directed him to pursue a fine arts career. Not restricted to easel work, Leech works interchangeably in oils, watercolor and pastels.

Raymond Leach 4 Heartbreak Hotel

So, what do UK painters like Jack Vettriano and Raymond Leech really share? Both depict figures sharing the same spaces though they’re often remote and disconnected. Desire is evident, but unfulfilled, love an illusion in scenes that suggest it’s really just for sale. There’s a faux nostalgia (though not sentiment) for undefined mid-twentieth century cinema-style settings and a generous bit of peekaboo voyeurism. But what they may share the most is the fine arts world’s reaction: Disdain or outright dismissal from critics, for them and for most narrative artists, save for the cynical few tricky enough to cloak their figurative work in some sense of irony.

See the next post for additional pieces by UK artist Raymond Leech.

Raymond Leach 10

 

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