The Mic’s Art, Not The Book.

love thief 1962 Micarelli

Oh, Orrie. Another ‘shattering novel of a nymphomaniac’. I can guess how Orrie Hitt’s 1962 Love Thief  goes, having read my share of Hitt’s novels, and I’ll wager this is one of those postwar paperbacks boasting a cover that’s way better than the book itself.  The art’s often listed here and there as uncredited, but is attributed to Clement Micarelli in some locations. Well, I’m going with that.

Nicknamed Mic to family and friends, Micarelli took his first Rhode Island School of Design figure drawing class at age 12 in 1941, and vintage paperback and retro sleaze enthusiasts have treasured some of his late 1950’s illustration gems for years since. The artist passed away at age 79 in 2008.

Love Thief 1962

The New Yorker

New Yorker 1997

A holiday homicide cover by San Francisco artist Owen Smith for the December 22nd and 29th 1997 issue of The New Yorker – The Fiction Issue.

Not sure if Smith has been a go-to artist for The New Yorker’s fiction issues, but he has done nearly twenty covers for that publication alone, and below is the Christmas and New Year’s Day issue from the previous year – that one more New Year’s celebratory instead of Xmas. The guy and the gal hunched over their typewriters got it all over the revelers, if you ask me.

The New Yorker 1996

Escaping Camp Santa

Escaping Camp Santa Emil Landgreen

I’m sure I posted this lasted year, but nifty art is worth repeating. “Escaping Camp Santa”, a pulp-flavored Noir-Noel promotional piece from talented illustrator, designer and concept artist Emil Landgreen.

Noiquet.

Noirquet--1974

Spanish painter Joan Beltran Bofill (1939 – 2009) was best known in fine arts circles as a contemporary Impressionist, his sumptuous light-filled paintings recognized for nostalgic settings and lush, swirling brushwork. But, like so many artists, Joan (don’t be confused, Joan’s a man’s name in this case) juggled both fine art and commercial art careers, and was also a popular European paperback and digest cover illustrator, particularly in the 1960’s and 70’s.

Noiquet - Beltran

Beltran Bofill came from Barcelona, studied at the Casa Lomja (Picasso had been a student there) and the Sant Jordi Fine Arts School. In an effort to keep the easel painting and illustration work separate, the artist worked under the name ‘Noiquet’ for various series of children’s books, Zane Grey westerns, and a number of standalone mystery/crime fiction novels and series, including Hank Janson and Agatha Christie books, Earle Stanley Gardner’s Perry Mason and saucy Carter Brown series. You’ll see hints of American illustrators like Robert McGinnis, Victor Kalin and others in Noiquet’s work, most of them excellent period pieces showcasing a real 60’s/70’s/80’s feel.

Noiquet 1974

Rooting around, I see many covers or even original illustrations questionably credited to Noiquet, some of which simply don’t look at all like the artist’s style, or lack his distinctive and usually prominent signature. Tempting as it may be to show them here, I’ll pass, but this post includes several examples of the artist’s work from the early 1960’s through the mid-80’s. A follow-up tomorrow will include some more…

Noiquet - FBI Series 1968

Noiquet

Noiquet

More From Bertil Hegland

Bertil Hegland 1

A few more examples of Swedish artist Bertil Hegland’s mystery/crime fiction cover art, the illustrator’s career tragically cut short at age 42 when an accident caused him to lose the use of his hand. Look for the preceding post for more examples of Hegland’s work.

Bertil Hegland 9Bertil Hegland 8Bertil Hegland 7Bertil Hegland 6

Love, Libel And Murder

Invasion Of Privacy

“He was head over heel – in love and libel and murder…”

Illustration by Joe Bowler for Harry Kurnitz’ “Invasion Of Privacy” from Collier’s magazine, 1955.

1955 joe bowler

You Have Killed Me.

You Have Killed Me Cover

Cold and windy under nonstop pouring rain, last Saturday would’ve been a good day to stay indoors. But I ventured out to pick up a current events book reserved at the library (there being a current event or two to keep tabs on these days). The local public library’s a bit lean on actual books, but is well appointed with comfy reading nooks, plush seating and even a fireplace. Almost ready to check out, Jamie S. Rich and Joelle Jones’ You Have Killed Me caught my eye on the graphic novel section’s endcap. I have it, of course, being an ardent Jones fan. Still, I paused to flip through the 2018 trade pb edition of this 2009 graphic novel anyway. Before I knew it, I’d dropped into one of those fireside chairs to reread this yummy bit of retro noir fun from cover to cover before dashing back out into the rain.

You Have Killed Me Art

Some will holler cliché. Me? I see nothing but classic noir and hard-boiled genre tropes lovingly celebrated in Rich’s story, a smooth flowing piece of work that reads like a period-perfect screenplay for a 1940’s-50’s noir. As for Joelle Jones art? Fans might be surprised to see some softer lines and curvier faces here and there, but it’s still Joelle Jones’ brilliant, stylized draftsmanship throughout, and an excellent chance to see where she was ten years ago. The pair make an excellent team (as seen since on Lady Killer, for example) in this tale of hard luck P.I. Antonio Mercer, hired by wealthy and beautiful Jessica Roman to locate her sister Julie, who’s gone missing on the eve of her society wedding…the missing Julie also Mercer’s one-time lover. But family dramas and messy love affairs are the least of Mercer’s problems once he begins to tangle with gamblers, gangsters and hard-assed cops in jazz clubs, racetracks and roadhouses. Any savvy noir fan will smell a rat – or at least an untrustworthy femme fatale – early on, but even the savviest may not be ready for what really happened to the missing sister. Trust me: This one’s a treat.

Sure, I got soaked on my way back to my car. But I did get the political rant hardcover I’d reserved a week earlier (just to drive myself nuts) and had a good time savoring Jamie Rich’s wordsmithing and ogling Joelle Jones art, both every bit as tasty today as ten years ago when the book came out.

 

Paul Mann

Paul Mann 1

In the preceding post, Daniel Kraus’ new Blood Sugar from the Hard Case Crime line depicted a Good Girl Art pinup style Halloween witch on its cover, done by Salt Lake City, Utah artist and illustrator, Paul Mann.

Paul Mann 2

In fact, Mann seems to be Hard Case Crime’s current go-to artist, if you check out their site. You can also go to paulmannartist.com to find out more about this talented artist and his traditionally styled work.

Paul Mann 3

Pascale-Mira Taurua

Pascale-Miria Taurua 2

Pascale-Mira Taurua didn’t set out to be an artist. Originally a model, she was crowned Miss France in 1978, though relinquishing the title six months later. But painting beckoned, and after studying at the Conservatoire des Arts in Tahiti during the 1980’s, her first gallery show occurred in the early 2000’s, and since, she’s been hard at work in her studio in the small French village of Pau in the shadow of a King Henry IV castle.

Pascale-Miria Taurua 1

She works primarily in traditional oil on canvas, though sometimes (as seen in examples of her work) more adventurous pieces might be in mixed media acrylics with collage. Clearly much of her work is inspired by the same modeling and fashion worlds she once was a part of, with some paintings even reworking well-known fashion photos. Yes, there’s glamor here. But there’s something more, a cynicism perhaps, or something maybe just a bit darker?

Pascale-Mira Taura 4Pascale-Mira Taura 3Pascale-Mira Taura 5Pascale-Mira Taura 6

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