Thirteen Days Overdue (And It’s Lace)

Rap Sheet LogoShame on me, but this is thirteen days overdue.

A heartfelt (belated) congratulations to J. Kingston Pierce on the thirteenth anniversary of The Rap Sheet Blog at therapsheet.blogspot.com (link below). The blog began on May 22nd, Arthur Conan Doyle’s birthday, appropriately enough, and since has showcased over 7,500 posts with over 6.3 million page views.

The Rap Sheet and CrimeReads are my primary mystery/crime fiction genre and noir culture resources, providing timely news and acting as vital jumping off points to learn more about so many different writers, books, films, artists and much more. For that, a great big thank you to The Rap Sheet!

So, I checked to see what a thirteenth anniversary is. You know, paper for the first, silver for the 25th, gold for the 50th and so on. There are some pretty weird ones, and several online wedding anniversary gift charts left a few years blank altogether. But all showed lace for a thirteenth anniversary. Now I’m at work at the moment with no lace handy, and I’m not about to go desk to desk to see who could help. Surely someone’s lacy somewhere today, but it won’t be appearing here. So we’ll have to make do with some vintage Alan Geoffrey Yates – AKA Carter Brown – and three editions of The Black Lace Hangover (which is, after all, a pretty cool title).

https://therapsheet.blogspot.com

Abbett’s Silver-Age Masterpieces

run for doom robert abbett

Robert Abbett is but one of the many 20th century illustrators often eclipsed by more famous names like Robert McGinnis, Robert Maguire, James Avati, Belarski, DeSoto and others. And he’s also one of the many artists whose paperback cover and magazine illustration work represents but a tiny part of their artistic career, so many of these academically trained artists well-skilled in and much preferring to work in other subjects altogether…Western art for McGinnis and James Bama, Civil War historical painting for Mort Kunstler, and so on. In Abbett’s case, his illustration fame is definitely overshadowed by his renown as a wildlife, landscape and outdoors artist. Born in Hammond Indiana, Robert Kennedy Abbett (1926 – 2015) studied at the University of Missouri and Purdue University, and once he achieved some success in commercial illustration, relocated to Oakdale Farm in rural Connecticut in 1953. There he became entranced with the autumnal landscapes, hunting and wildlife scenes, which became his trademark in his post-illustration fine arts career.

In fact, even within paperback cover illustration, it’s probably his work on many Edgar Rice Burroughs’ Tarzan, Barsoom and Pellucidar books that brought him the most acclaim, much more than general fiction, crime fiction or any so-called ‘sleaze’ books, which so many illustrators had in their portfolios (even if hidden way in the back).

run for doom kane

Working in a style reminiscent of Mitchell Hooks and other ‘silver age’ artists, Abbett had a tremendous command of figure drawing, but still enjoyed abstracted or vignetted backgrounds and settings, which became the trend in the late 1950’s through mid-1960’s. Bird dogs in New England fields may be his primary legacy, but for me it’s the way so many of his characters look precisely like those I imagine for my own in-progress writing (which is set in 1959, after all). Above is the original art for Henry Kane’s Run For Doom from 1962, as well as a so-so found image of the book cover. Below is one of my favorites: Robert Carroll’s 1961 Champagne At Dawn. No, I don’t mean the book. I don’t have it and never read it, and I’m not sure I’d go looking for a readable copy about ‘fly now, pay later girls’. But change that hair color to a deep brunette shade, and that’s more or less Sharon Gardner, AKA Sasha Garodnowicz, AKA the ‘Stiletto Gumshoe’. Well, maybe a slightly more ‘curvy’ version of Gardner/Garodnowicz/Gumshoe. I can forego a 1961 novel about stewardesses (I assume in 1961 they weren’t flight attendants yet), but I’d give anything to find a decent scan of the original art from that book!

Champagne At Dawn 1961

Adriano Rocchi

adriano rocchi 2

I’ve looked, and unless I’m misspelling the artist’s name, I can’t find a thing about Adriano Rocchi. Not just online, mind you. I have several long bookshelves crammed with books on vintage paperbacks, pulp magazines, U.S. and European illustrators and sundry sleaze artists. But…nothing. Now lets guess from the examples I stumbled across that Rocchi is one of the many post-WWII era Italian pulp artists working in Giallo paperbacks, crime/horror/sleaze digests and film posters. If you know more, I’m all ears!

adriano rocchi

Master Stylist: Darwyn Cooke

Darwyn Cooke - 6 - Parker

No one’s passing is good news. But when beloved or talented people leave us at a young age, it’s doubly painful. We can’t help but wonder what else they’d have created if granted more time.

Darwyn Cooke - 5 - Parker

Canadian artist, illustrator and animator Darwyn Cooke was just such a case. The master stylist was born in Toronto but grew up in Nova Scotia, where he learned to draw at an early age by ‘deconstructing’ comics, attempting to replicate the style of the illustrations…and in doing so, developing his own very distinctive style. Know him for his stunning comics work on Batman, Catwoman (that’s where I first discovered his work) and Richard Stark’s Parker, or for his animation work for The New Adventures Of Batman and Batman Beyond, or know him for winning thirteen Eisner Awards. But know that, sadly, he succumbed to cancer in 2016 at age 53. But his work lives on…

Darwyn Cooke - 7 ParkerDarwyn Cooke - 3 - The SpiritDarwyn Cooke 1Darwyn Cooke 2Darwyn Cooke 4 - ParkerDarwyn Cooke - 8 - Parker

C. C. Beall

C C Beal

Cecil Calvert Beall (1892 – 1970), better known as C.C. Beall, isn’t a big name among vintage paperback and retro pulp magazine illustrators. Actually, his reputation is mostly due to a series of high profile WWII era war loan drive posters.

c c beal - 3

Beall learned under master figure drawer George Bridgeman, surely a familiar name to any former art student, and studied at the Art Students League and Pratt Institute. While most contemporaries worked in slow drying oils or fast drying (but extremely tricky) gouache, Beall worked primarily in traditional (transparent) watercolors, though in a distinctive heavy manner, only ocassionally combining them with charcoal or gouache for selected commercial assignments. His patriotic war era propaganda ad and poster illustrations were so successful that he was temporarily made an employee of the U.S. War Department, and was present at the final Japanese surrender on the USS Missouri in 1945, where he painted the official portrait of the event.

CC Beal - 2

But like many working artists of the time, Beall did all kinds of work, from glossy magazine illustrations to advertising, film studio assignments and book covers, including his darkly gorgeous painting for Bruno Fischer’s 1950 House Of Flesh from the preceding post. Some more of his non-military work is shown here. And heck, I’m throwing in the cover art from House Of Flesh one more time for good measure.

Walk In Fear CC BeallsSiagon Singer CC BeallsFarewell To Arms CC BealDark Interlude CC BeallsCC Beall House OF Flesh 1950 Art

Retro Done Right

mikael bourgouin

A lovely period femme fatale, looking like she pranced right out of an early 1930’s film or pre-war pulp tale. By Lyon, France illustrator and painter Mikael Bourgouin. Look for more of his work at Behance.net.

Marta Nael

Black Widow Marta De Andres

Barcelona, Spain concept artist, illustrator and fine art painter Marta De Andres, who uses the professional name Marta Nael, seems far too young to exhibit so much skill and confidence in multiple mediums, from paint and brushwork, to pastels, pencils, pen and digital software. A lot of her work is heroic or romantic fantasy subjects, which are not exactly my thing, but her straightforward figure studies and portraiture are as masterful as they are beautiful, most of them so alive with color, they almost look ready to burst into flame. The artist says her work is “a game of light and color”. In fact, her own fiery red mane looks like it’s right out of one of her paintings.

There’s a lot to browse at her own site (martaneal.com), DeviantArt, Facebook, Instagram, Twitter and YouTube, so while I’m not big on faeries and Amazons, I’ve included several ‘darker’ pieces here” “Black Widow” above, and below, “Daisy Retocardo” and “Lady Death”.

Daisy Retocado Marta De AndresLady Death Marta De AndresMarta Nael Dot Com

Jim Silke’s Century

Jim Silke

A smoking cigarette (Camels, no less), an automatic on the nightstand, a handsome fellow ignoring the wound on his shoulder and a naughty glimpse of stocking just below the lacy hem of the lovely lady’s chemise. What else could you ask for in a piece of noir-ish art, beautifully executed here by master artist Jim Silke for a DC Vertigo American Century cover? The one above is from issue No. 20, I believe. Below is another example of Silke’s cover art from American Century.

American Century 18

 

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