From The City Club, a 2012 “Film Noir Musical” Off-Broadway stage play set in a New York jazz club in 1934.
Loles Romero has her share of dark fantasy and SF pieces like so many artists doing concept work and illustration for film and gaming clients, but this Ibiza, Spain artist has a way with the ‘noir-ish’, and I hope she’ll have opportunities to do more. These two examples were done as illustrations for stories by Hector Espadas. Look for her work at Art Station.
“30’s Music” by sculptor and character artist Gleb Fedorovsky.
All last week the grass was greening, the trees were budding. Later this week we should be in the 70’s. Spring’s here. But Mother Nature wanted to thumb her nose at us one last time on Sunday, lobbing a snowstorm into the upper Midwest with gusty winds and half a foot of the wet heavy stuff that blew from mid-morning till I turned in around 1:00 AM. So other than picking up some groceries really early (with an in-car coffee break with the New York Times) when it was still only cold, rainy and windy, it was definitely a stay-in kind of day. A good day to stay huddled behind the computer and marvel at the icy ugliness churning around out the window.
The soundtrack for all that blizzardy bluster: Diana Krall, though not in order, just however they all ended up on the turntable and in the CD player. Suitable sounds for pounding the keyboard on a scene set in a 1959 cocktail lounge for the re-activated follow-up to The Stiletto Gumshoe.
Broadway actress and recording star, or is she really a cabaret chanteuse at heart? German singer (and so much more) Ute Lemper just seems to have a way of evoking a decadent Weimar era German basement nightclub when she’s singing or merely posing for a photo. Maybe it’s her association with roles like Lola in The Blue Angel, Velma Kelly in Chicago (publicity photo in that role below) or Sally Bowles in Cabaret. Then there’s that whole Kurt Weill songbook thing.
Ute Lemper: The Noir Chanteuse.