The Art Of Sean Phillips

The Art Of Sean Phillips Cover

I assumed Dynamite Entertainment’s 2013 The Art Of Sean Phillips — by the artist himself (along with Eddie Robson) — would be a handsome book, but wasn’t prepared for just how well designed and lavishly illustrated this 300+ page over-size hardcover would be. I ordered it online and was surprised to see it arrive in a package from England, but maybe that’s best for a book on a UK artist.

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Sean Phillips’ gorgeous work has appeared at this site before with images from Criminal, The Fade Out, the artist’s own site and more, so it should be clear that I’m a fan. Phillips has a rare talent for designing, composing and rendering consistently engaging and even visually provocative panels, pages and covers of what might seem like very prosaic scenes and mundane subjects (compared to the flashy distortion of the SF/Fantasy/Horror and superhero comics segments). Mind you, he’s done his share of work in dark fantasy and for the capes-n-tights titles. But it’s his more human scaled and distinctly noir-ish work (much of this done with team-mate scribe Ed Brubaker) that elevate Phillips above so many other Photoshop EFX-obsessed and manga-inspired peers.

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I’d love to offer some page scans from the book for you to browse, but there’s no way I’m going to bust that spine just to cram it into a scanner (my scanner’s bed too small anyway). So, sorry – you’ll have to get your own. If you do, you get to enjoy lushly illustrated pages of Phillips’ childhood drawings and comics, incredibly mature work for the UK ‘Girl Comics’ done when still only in his mid-teens and read all about his early years. Since I’m unwilling to mangle my precious book, the visuals shown here are just culled from found art that’s been lurking in my Sean Phillips archive folder for who knows how long. You’ll be familiar with some, I’m sure. Phillips’ Criterion Collection illustrations are particular favorites of mine — that warm-toned NYC penthouse balcony painting of Susan Harrison from The Sweet Smell of Success right below is so darkly beautiful, it almost makes me teary-eyed. (Art can get me a little choked up sometimes.)

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If you have The Art Of Sean Phillips already, you know what a terrific book it is. If not, consider getting it – you won’t be disappointed in the countless visuals or the accompanying text, with interviews and commentary from Ed Brubaker, Warren Ellis and others. Or, hold and see if an updated edition is ever done. This was produced 6-7 years ago, after all. There’s been a lot of stunning Phillips work out there since. Almost another book’s worth, dontcha think?

Sean Phillips 3Sean Phillips 1Sean Phillips The Fade Out

Mario’s Mara & Bruce

mara corday by mario chavez

Actress, showgirl and model Mara Corday above (who I believe is still with us at age 89, and who I got to see being both fetching and wicked in an old 1959 Peter Gunn episode rerun Saturday night ) and below, Bruce Wayne by artist and illustrator Mario Chavez. Sorry, but the rather prominent ‘gams’ Wayne’s ogling aren’t actually identified by the artist.

bruce wayne by mario chavez

More of Daniel’s ‘Dolls’

Daniel Cooney 1

A couple sketches from writer-artist Daniel Cooney, creator of The Tommy Gun Dolls graphic novels (see the preceding post). I don’t know if these were random studies or character sketches for his Tommy Gun Girls, but do go to his site (link below) to see more work from his Valentine series, other projects and artwork.

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https://www.dancooneyart.com

Betty Bates, Lady Lawyer

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Betty Bates, Lady Lawyer (AKA Betty Bates – Attorney at Law, Betty Bates – Lady at Law and just plain ol’ Betty Bates) is one vintage female crimefighter comic series that needs no apologies or caveats. Created by Stanley Charbot, pen name for Bob Powell, and sometimes drawn by artists Al Bryant, Nick Cardy and Alice Kirkpatrick, Betty Bates, Lady Lawyer appeared in Hot Comics for ten years from 1940 through 1950. The early issues’ art is, frankly, pretty crude, though no worse than many other comics were at the time (peek at the earliest Batman issues for comparison). But with Cardy and Bryant wielding the pencils, inking pens and sable brushes later on, there are spots in the series that could rival even some of Matt Baker’s fluid panels.

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Consider: Betty Bates wasn’t just one more in a long line of assistants, secretaries or girlfriends. Bates was the D.A. In fact, Betty Bates, Lady Lawyer was the longest running series led by a lawyer – man or woman – till Marvel’s Daredevil passed the ten-year mark, and it was one of the longest running non-super powered/non-costumed comic heroes of the golden age.

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But Bates doesn’t spend too much time in the court room, far too busy fighting crooks, looking for trouble or getting caught up in it. Using her wits and falling back on some handy martial arts skills when needed, she normally prevails on her own and without the aid of some hunky cop or boyfriend, though some stories include ‘Larry’, a reporter who’s obviously smitten with the lady lawyer.

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Two things leap out at you: The drawings foregoe the then customary ‘good girl art’ look, with its intrusive peekaboo bathing suit and undressing scenes. Similarly, though Betty falls into some bad guys’ clutches, it’s no more frequent than in any other crime comics or costumed superhero series, and no one could label Betty Bates, Lady Lawyer as a ‘damsel in distress’ or ‘women in peril’ comic. In fact, the stories are really quite good, several stand up well even today, and with ten years of material, there’s a lot to read.

Betty Bates Attorney At Law 2

The Gwandanaland Betty Bates – Lady At Law Readers Collection is a hefty volume, with over 400 pages of Betty Bates stories. Strangely, they’re all black and white, though the comics were full color, of course (I’ve included some online finds here, the book too fat to open in my scanner). A couple came from awful originals, were scanned off of second-generation copies or perhaps just poorly scanned and not corrected, and I was pretty disappointed that the publisher would include such barely readable pieces. But with so many in the book, quantity made up for quality…I guess.

I don’t know why, but they also decided to tack on a few unrelated ‘bonus’ pieces: several Jungle Lil and Miss America stories, also with some mighty uneven scanning and in black and white. I’m not much for adventure pulps/comics, whether Jungle Jane’s, Jill’s or Lil’s, and 1940’s era costumed superheroes aren’t really my thing. But I’ll be bringing up the Miss America stories in another post nonetheless (you’ll see why). No idea why Gwandanaland added this material…the Betty Bates, Lady Lawyer stories really made for a nice fat book all on their own.

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Decisions, decisions…

Diego Bernard Harley Quinn

The Batman family’s rogues gallery has always been the comic world’s best (IMHO). And though Selina Kyle will always be my favorite, the zany shrink with a kink has become my number two, and it’s whimsical art like this piece by Diego Bernard that makes her so endearing. So hard to choose: Street or costume? At least accessorizing’s always a cinch for Harley Quinn. Just carry a great big mallet.

Colton Worley

Colton Worley

Dynamite Entertainment’s reboot of The Green Hornet (see prior post) has included two volumes/storylines as well as a parallel Kato – Origins series, with various writers and artists. While not a name I’ve spotted with the current Volume Two series that features Kato’s daughter Mulan assuming The Green Hornet’s mantle, Colton Worley has delivered some gorgeous covers for prior issues and other Dynamite vintage crimefighter and contemporary character titles, including The Shadow, Miss Fury and Jennifer Blood. Background information on Worley seems sparse. I think he’s from Spokane, but don’t hold me to it. But then, bio’s aren’t important. It’s the art that counts. Above: A Noir-ish masterpiece from Kato: Origins Issue 9, and below, some stunning Worley work for Lamont Cranston, The Shadow and other Dynamite Entertainment titles.

4 Colton Worley CoversThe Shadow 1The Shadow 2The Shadow 3The Shadow 4

 

Frazetta’s Femmes Fatales

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Just how many late 20th century budding artists first started scribbling their own muscle bound barbarians and sword wielding valkyries after ogling Frank Frazetta’s (1928 – 2010) Conan paperback and early Warren magazine cover paintings, who’ll ever know. For many, the man’s work was the look of dark fantasy for decades. But he was more than Cimmerians and death goddesses, and had a flare for 50’s-60’s style bad girlz when given the chance. There’s not a broadsword or wizard in sight among these.

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Dakota North

By Michael Lark 3

No surprise that Marvel’s Dakota North, created by activist, essayist and writer Martha Thomases along with artist Tony Salmons, was eclipsed by Jessica Jones. Thomases’ groundbreaking much-more-than-a-detective simply appeared 15 years too early, in a marketplace that hadn’t matured enough to embrace smart, accomplished and utterly lethal female characters. Mind you, Max Allan Collins and Terry Beatty already paved the way five years earlier with their memorable Ms. Tree. Today? Indie comics and the majors alike are teeming with Dakota North, Ms. Tree and Jessica Jones clones.

Dakota North - 4 Covers

Former fashion model, daughter of a CIA agent and now owner of her own private investigations firm headquartered in New York, with satellite offices in Paris, Rome and Tokyo, Dakota North only had a five issue mini series in 1986-87, then made numerous appearances in various other Marvel titles. Dakota North was slated for another series in 2006, but that never materialized.

Dakota North

Nonetheless, Thomases’ creation was an important character, and finally available in a trade pb compilation, Dakota North – Design For Dying released this time last year, which includes those first Dakota North issues plus a number of (though not all) her appearances in other titles.

Dakota North - Cover

The terrific B&W illustrations included at the top and below are by Michael Lark. And, in keeping with ‘great minds think alike’: I scheduled this post in the middle of the week of the 23rd-29th (most of my posts are pre-scheduled days ahead of appearing), and when I scrolled through posts at my blog aggregator (Bloglovin…very handy tool!) I see the venerable Not Pulp Covers at Tumblr posted a Tony Salmon Dakota North page.  Mind you, Not Pulp Covers is clearly run by a much greater mind than mine!

By Michael Lark 2By Michael Lark 1

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