EQMM: An October Anniversary

llery Queen Mystery Magazine May 1957

Not quite eighty yet, but damn close. Crime Reads’ 10.1.19 masthead notes that Ellery Queen Mystery Magazine’s first issue debuted 78 years ago this week on October 1, 1941. Technically it was titled Ellery Queen’s Mystery Magazine then, losing the ”’s” in 1991, I think.

Ellery Queen Mystery Magazine January 1966

The pseudonymous writing team of Frederic Dannay and Manfred B. Lee who’d been publishing under the pen name “Ellery Queen” since 1929 had already tried and failed with one magazine in 1933: Mystery League. Still determined to give the reigning crime fiction pulps some high-quality competition, they gave it another go in 1941, and this time things clicked. That first issue with seven short stories, including pieces by Dashiell Hammett and Cornell Woolrich, sold 90,000 copies. Helmed primarily by Dannay, who continued as editor till his death in 1982, Ellery Queen’s Mystery Magazine started out as a quarterly, then bi-monthly, and went monthly in 1946.

Ellery Queen Mystery Magazine 2

I recently took a chance on an Ebay mixed lot of EQMM back issues, the buy-now price not much more than the big box’s postage. I’ve been burned and burned bad a couple times on Ebay, and yes, a few went in the trash, too demolished or mildewed to hold onto. But I still ended up with an assortment of issues from the 1950’s through the 1990’s, and will probably try my luck again soon. And I usually buy the current issues, edited by Janet Hutchings for almost thirty years now. Sure, I like some issues better than others, but I’ve never had one that disappointed, and consider nearly 200 digest-sized pages with that wonderfully tactile and nostalgic newsprint paper for a mere $7.99 a genuine bargain.

Ellery Queen Mystery Magazine December 1951

From that first issue that sold for two-bits 78 years ago with Hammett and Woolrich, consider some of the talent that’s appeared in Ellery Queen Mystery Magazine over the years: Jorge Luis Borges, Agatha Christie, William Faulkner, Ernest Hemingway, Patricia Highsmith, Stephen King, W. Somerset Maugham, David Morrell, Manly Wade Wellman, P.G. Wodehouse…oh, and Phyllis Diller (seriously). To say nothing of how many incredible emerging talents who got their first major credit in EQMM. Ellery Queen Mystery Magazine is now the longest running mystery fiction magazine, and has teamed up with Black Mask to include that publication’s material in each issue as well. I’ve never submitted, and doubt that I ever will, but you can call me a fan, ‘cuz I truly am. 78 years is quite a legacy.

Elery Queen Mystery Magazine

Window Dressing: Vogue’s Rear Window

vogue us 2013 april

Fashion photography maestro Peter Lindberg (who’s been showcased here and more than once) worked with model Carolyn Murphy and actors Tobey Maguire and even Laurie Metcalf, of all people, to reprise selected scenes from Alfred Hitchcock’s 1954 mystery classic, Rear Window, that film based on Cornell Woolrich’s 1942 story “It Had To Be Murder”. Sure, the April 2013 issue’s editorial was intended to show off Spring couture, but who cares? It’s an elegant pictorial, and enough to make you want to rewatch Rear Window right away. I wonder who Lindbergh, Murphy, Maguire, Metcalf and crew would have chosen to stand in for Raymond Burr?

vogue us 2013 april2vogue us 2013 april3vogue us 2013 april4vogue us 2013 april5vogue us 2013 april6vogue us 2013 april7vogue us 2013 april8

The Dames

pulp fiction the dames

Otto Penzler’s Pulp Fiction: The Dames is a follow-up to his previous anthologies Pulp Fiction: The Crimefighters and Pulp Fiction: The Villains. My copy shown here is a 2008 Quercus UK edition, a big fat 500+ page trade paperback which includes 22 stories plus two saucy Sally The Sleuth comic strips from 1930’s – 40’s pulp fiction magazines, including the top tier mags like Black Mask, Dime Detective and Detective Fiction Weekly, right down to the bottom rung in publications like Gun Molls, and Spicy Romantic Adventures. Penzler’s preface and Laura Lippman’s well-written introduction frame the material well. As she writes, “The pulps of the early 20thcentury will never be mistaken for proto-feminist documents…(but) there is just enough kink in these archetypes of girlfriend/hussy/sociopath to hint at broader possibilities for the female of the species.” Indeed, the roots of V.I. Washawski, Kinsey Millhone and even Lippman’s own Tess Monaghan can be traced right back here.

Pulp Fiction The Dames Back

The anthology opens with a terrific Cornell Woolrich 1937 tale, Angel Face, about a chorus girl trying to keep her wayward younger brother out of trouble, but when he’s framed for murder, she ignores the cops and does her own sleuthing to nab the mobster she’s sure did the deed. It may end abruptly and even a bit implausibly, but every sentence absolutely sings with vintage slang and retro word-smithing that’s a dark delight. That’s followed by Leslie T. White’s Chosen To Die from 1934 with husband and wife team of P.I. Duke Martindel and attorney Phyllis Martindel, the well-intended gumshoe relying on his savvy spouse to get him out of jams with the law. The book includes stories from Dashiell Hammett, a Lars Anderson’s Domino Lady tale, a T.T. Flynn Trixie Meehan story and even Raymond Chandler’s 1935 Killer In The Rain, which he cannibalized (along with material from other short stories) for The Big Sleep. Read it and see if you don’t spot some mighty familiar scenes and passages, even if the private eye isn’t named Marlowe.

‘The Dames’ from pulp fiction aren’t all snoopy reporters, private investigators or even uniformed cops (rare as those were). The bad girlz might be some of the more memorable characters in this anthology, from gun molls to gang leaders. Unlike Penzler’s recent – and enormous – The Big Book Of Female Detectives (see link below for a post on that book) this one’s strictly vintage pulp fiction. Which isn’t always literary, can sometimes be a little squirm-worthy, but is almost always entertaining, and the female private eyes, girl reporters, sleuthing secretaries and, yes — even former chorus girls – make for one terrific tale after another.

https://thestilettogumshoe.com/2019/03/09/the-big-book-of-female-detectives/

Into The Night

Into The Night - Woolrich - Block

As I understand it, Into The Night was an unfinished Cornell Woolrich novel manuscript, not only missing an ending, but the opening and some passages in the middle (which doesn’t leave very much, if you think about it). It fell to Lawrence Block to complete the novel. I know I have this book somewhere (if you ever saw my bookshelves, you’d understand) but had to rely on a search engine image for the picture above.

Time for candor, even if it gets me in trouble: I’m not the biggest Woolrich fan, and I know that’s sacrilegious in noir and crime fiction circles.

It’s been a while, so if I get the plot mixed up a little, I’ll beg your forgiveness now. In Into The Night, a woman’s failed suicide attempt goes awry, though she’s actually relieved that her gun jammed. But when she drops the weapon, it accidentally goes off anyway, the bullet shooting right through the window where it finds an unintended target, another woman merely passing by.

That’s an interesting if perhaps implausible premise. From what I’ve read, some readers didn’t care for Lawrence Block’s upbeat ending, preferring something more Woolrich-ish…i.e. dreary and downbeat. Still, this one can be an entertaining read for hardcore Woolrich buffs, if only to try to pinpoint the original manuscript’s portions and Block’s rewrites/additions.

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