I think it’s great that publishers promote forthcoming titles in advance. But I don’t know how the hell I’m supposed to wait until late July for The Best Of Manhunt. Subtitled: “A Collection Of The Best of Manhunt Magazine”, the book is edited by Jeff Vorzimmer, with a foreword by writer Lawrence Block and an afterword by Barry Malzberg, and collects 39 stories from the pages of mid-1950’s pulp magazine that many rightly regard as one of the very best of mystery/crime fiction magazines.
The pulp magazine era had mostly died by the time Manhunt magazine debuted in 1952. Mystery and crime fiction migrated to the new and booming paperback market in the postwar era, their garish, spicy covers replaced on the newsstands by countless ‘true crime’ magazines, many of which soon switched to increasingly explicit photo covers and ‘fact-based’ stories full of gruesome and period-sexy photographs.
But Manhunt magazine continued to offer monthly doses of hard-boiled short stories and serialized novels from the era’s best writers. Just look at the covers of a few issues…they read like a who’s who of postwar mystery/crime fiction masters: James Cain, Harlan Ellison, Bruno Fischer, Fletcher Flora, David Goodis, Brett Haillday, Evan Hunter, Frank Kane, Henry Kane, Richard Prather, Mickey Spillane, Jack Webb and others. In fact, the magazine even did it’s own ‘best of’ as a Perma Books paperback (see image below) with 13 stories from its pages.
I may get a real kick out of vintage crime fiction, particularly of the postwar hard-boiled variety, and have bought a number of 1930’s-40’s pulp reprints and trade paperback collections. Doing so has taught me that a lot of the content didn’t quite meet the expectations of the cover art, and was, in fact, kind of dreary. I’m acquisitive, but fortunately, no collector, and unwilling to hand over serious cash for seventy-year-old magazines with questionable contents.
One nearby used bookstore occasionally shelves vintage magazines and had a few copies of Manhunt for sale ($25 to $40 each as I recall) and though I didn’t buy, I was allowed to browse, and can say that Manhunt at least looked a cut above the hurried cut-n-paste hack jobs that many of its ‘true crime’ contemporaries really were. But I know from reading about it at many a blog, site and mystery/crime fiction book that Manhunt was considered the one postwar pulp title that gathered together some of the era’s very best talents.
Oh, I’m pre-ordering this book, you can bet on that, five months to wait or not. Till then, enjoy some retro mayhem from the covers of Manhunt magazine, here and in the following post.