White Butterfly (1992) was the third entry in Walter Mosley’s Easy Rawlins series, though actually the second one that I read. I confess: I’d heard of Mosley but knew little about him or his work, and saw the 1995 film adaptation of Mosley’s first published novel, Devil With A Blue Dress with Denzel Washington and Jennifer Beals on TV or a rental at some point. Before I read the book, that is. I literally raced out to get it then, was completely enthralled when I read it, and hungered for more Mosley once done. I have two independent bookstores nearby, one close to home, one close to work, both charming operations, but both allocating just a little too much floor space to trinkets and knickknacks instead of books. So I walked out of one with White Butterfly, the third in the Easy Rawlins series, but the second I ended up reading, it being the only Walter Mosely novel on shelf at that time. For some reason, I’ve ended up working through more of Walter Mosley’s books in much the same way: totally out of sequence.
No matter. I adored White Butterfly, with Easy Rawlins settled into domestic life but keeping secrets from his spouse. A girl’s murder in the Los Angeles ghetto doesn’t have the cops in arms. Another murder – this time a white girl, so now they’re interested – finds the police blackmailing Easy to assist them, or his old pal Mouse (who turns out to be something less than a pal) who’s in jail may never get out of the clink.
Like much of the very best in noir fiction and film, Rawlins’ novels give us a hero with his share of flaws who is sucked into a maelstrom of darkness and danger where temptation abounds, and is forced to combat powerful forces, be they unscrupulous cops, syndicate gangsters or crooked politicians…everything dialed up a few notches in Easy Rawlins’ world of rampant racism. I’m not going to say that Walter Mosley effectively captures the postwar Los Angeles African American milieu, only because I’m not African American, not from Los Angeles and wasn’t around then. I will say that he conveys the time, place, people and culture, does it with power and with a richness that tumbles off every page without ever feeling like a travelogue or history lesson. Not one Walter Mosley novel has ever disappointed me, and his Easy Rawlins books are among my favorites.