Women private detectives, plucky ‘girl reporters’, enterprising Gal Fridays and even costumed female crimefighters had largely disappeared from the already dwindling pulp magazine marketplace by the end of WWII (not that there were all that many to begin with), but a few made appearances in comics in that immediate postwar period. Case in point: The Blonde Phantom, who debuted in the Fall of 1946. Usually credited to Stan Lee and artist Syd Shores, some sources say Al Sulman created the character during his Timely Comics stint. Syd Shores is probably best known by Golden Age comics fans for his work on Captain America, but more notoriously among pulp magazine fans for his genuinely squirm-worthy Nazi bondage and torture cover paintings for the 1960’s “men’s sweats” magazines. While also appearing in numerous other comics, The Blonde Phantom quickly took over her own title which lasted for two years, devolving into a romance anthology in 1949. Modified versions of the character were even revived in the late 1980’s, so it’s not uncommon to still spot pics of a Blonde Phantom or two in the cosplay scene today.
Secretary to (and smitten with) private detective Mark Mason, Hoboken New Jersey’s Louise Grant isn’t content to answer phones and type letters, donning a swirly red slit dress emblazoned with bright stars as yellow as her own long blonde hair. Hidden behind a black domino mask and somehow racing around in red heels, Louise draws upon her natural athletic abilities (backed up by her .45 automatic) to become the costumed crimefighter The Blonde Phantom. By 1949, Louise retired from crimefighting when she married Mason, later giving birth to a daughter and a son. After Mark Mason dies, Louise (now Mason) goes to work for D.A. Blake Tower in the 1989 revival, appearing alongside numerous members of the Marvel superhero stable. Later, her daughter Wanda briefly continued Louise’s crimefighting legacy as an all-new Blonde Phantom sporting a more traditional superhero-style uniform.
Drawn in a typical Good Girl Art style by Syd Shores and other artists, The Blonde Phantom is a mix of straightforward mysteries punctuated by exciting action, but all of it sprinkled with bits of romance and requisite damsel-in-distress scenes, though Louise often gets herself out of trouble without the help of detective Mark Mason or some other fellow.
Myself, I’ve only had the pleasure of reading one complete The Blonde Phantom tale, but it was pretty darn good. The rest of what I’ve seen are only random pages, panels and covers, but all intriguing enough to make me want to find more. Unwilling to plunk down mega-dollars for collectible Golden Age comics, I guess I’ll just have to wait for some enterprising reprint publisher to put something together.