Thrilled About Thrilling Detective.

Thrilling Detective - Anthos

I’ve visited Kevin Burton Smith’s excellent Thrilling Detective site in the past, but was kinda giddy to see it migrate to WordPress as “The New Thrilling Detective Web Site” so I could more easily follow along. And doing so paid off nicely this weekend when I was jotting down lists of books to order – for curbside pickup at the local indie, direct from the publisher, from Bud Plant, and from the behemoth in Seattle. The Thrilling Detective site ran two posts sharing long lists of mystery/crime fiction anthologies with links for most (or all?) right to Amazon, many being OOP titles.  I tried for six, but got a bounce-back on one later, it being no longer available. But five’s a start, and my to-be-read endtable is woefully empty, having foolishly not stocked up before the great sheltering commenced. The Amazon items may take longer than usual to arrive, but the others look like they’re speeding my way now, and the indie pickup books should be in hand tomorrow and are desperately needed.

If you find things that interest you here at The Stiletto Gumshoe’s lair, then you’re going to find many more and much better items of interest at The Thrilling Detective site. The link’s right below…use it now. And more about the gems I nabbed via Smith’s site will follow in another post…

https://thrillingdetective.wordpress.com/

A Saturday Surprise.

Mystery Scene

‘Real life’ stuff demanded to be reckoned with this past weekend, resulting in a couple of grim days. So, nothing could’ve pleased me more than popping my mailbox open Saturday evening, where I found both the March 2020 Writer’s Digest and Spring 2020 Mystery Scene inside. I don’t think I’ve had a same-day delivery of those two magazines before, and was eager for something to take my mind off of things, if only for a while. Quick skims of both over a very late dinner (and digging in to one article, at least) sure did the trick.

The new Mystery Scene issue includes all the usual reviews and columns, along with an amusing article from Michael Mallory: “Ready For A Close-Up – Crime Authors Caught On Camera” about Earle Stanley Gardner, P.D. James and numerous other mystery/crime fiction writers who’ve done cameos in films and TV shows. I suppose the whole world already knew that Raymond Chandler (who co-wrote the screenplay of James Cain’s novel) can be seen in Billy Wilder’s 1944 Double Indemnity, but I didn’t! Duh.

Stumptown 1

But my favorite article and the one I dove into over the weekend (the rest of the mag and the Writer’s Digest saved for more careful reading through the week) was “Dex Parios – Will She Or Won’t She? Only Her Stumptown Producers Know For Sure” by Kevin Burton Smith.

Stumptown 2

Television has been awash in private eyes since its beginnings. Richard Diamond and Peter Gunn to Cannon, Mannix, Baretta and many, many more, some you might recall or have seen on oddball rerun channels and just as many that you may have never heard of. But let’s be clear: It’s been a P.I. boys club, just like the pulps and retro PBO marketplace of each corresponding era. As for the ‘stiletto gumshoes’? Not so many. Hardly any at all, in fact. Honey West, Charlie’s Angels, Remington Steele, Moonlighting…I’m already running out. The BBC and Australian markets have been more productive by comparison. But in recent years, you might argue that the best private eye, cop and mystery/crime shows have been led by women characters. And, quite a few of them at that. Based on its excellent source material, ABC’s Stumptown promised something special.

Stumptown 3

Confession time: As a fan of Greg Rucka’s comics, I couldn’t wait for Stumptown’s debut.Worried? Naturally. After all, could Hollywood (a broadcast network, no less) be trusted to do justice to Rucka’s creation? But when the first episode aired, I was thrilled, and thought that series star Cobie Smulders as Dexedrine ‘Dex’ Callisto Parios and all involved did a terrific job. Some differences from the source material? Well, that’s to be expected.

But, you’ve heard nothing from me here about the show since. The fact is, I grew disenchanted with the series, and by the holidays had stopped watching altogether.

Stumptown 4

So, I was kind of relieved to read Kevin Burton Smith’s article, discovering that I wasn’t alone. Oh, Smith’s a fan, too. But he rightly questions some creative decisions, including an increasing number of side trips into Dex’s complex personal life that ate up a lot of storytelling time. Interesting? Sure, but a bit intrusive nonetheless.  Like he points out while wondering why the studio tinkerers had to tinker at all, “The thing is, the source material is so great, it’s a shame that the showrunners seem to be paying it lip service.” If someone like the founder and editor of the Thrilling Detective site (www.thrillingdetective.com) started to feel a little hinky about some aspects of the show, then I knew I was in safe company. But like Smith points out in his Mystery Scene article, the show seemed to be getting back on track in the New Year, and that’s good news. I’ve returned as a viewer and will stick with it now, while catching up on missed episodes. Further, and to Kevin Burton Smith’s credit, nearly half of his Mystery Scene article is devoted to Greg Rucka himself. Hollywood (and too many viewers) may think it’s all about the stars, or maybe the directors. But let’s keep in mind that every character, every scene, every @#%$&! word spoken originates with the writer. And in Stumptown’s case, the whole idea began with Greg Rucka’s excellent series.

It’s not that I need a genre authority’s endorsement to make me stick with a show (or film, book, whatever). But sometimes it’s nice to know you’re not alone. And now, as time allows, I’ll get back to reading the rest of my new Mystery Scene magazine

 

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