Mafiosa

Mafiosa Cover

Spotted at Crime Fiction Lover (and you just have to love the straightforward name of that site, dontcha?):

Planned for a first issue to be released in August 2019, Mafiosa is scripted by Sunshine Barbito with art by Debora Carita. Set in Prohibition era Little Sicily, it tells the story of 18 year old Nicoletta Marchesi, daughter of a made man who aims to join the family business herself. From the description I read, it sounds like this mafiosa is more lethal than any mafioso, and I’m anxious to see more.

Looks like the book’s launch is relying on a Kickstarter campaign. There are some sample pages and a handy link to Mafiosa’s Kickstarter page at Crimefictionlover.com (link below). Check it out for info on this forthcoming comic, or just to learn more about Crime Fiction Lover, “The Site For Die Hard Crime And Thriller Fans”, if you’re unfamiliar with the spot-on news, reviews, interviews and features you’ll find there.

https://crimefictionlover.com

Original Sins – Trade Secrets Of The Femme Fatale

original sins

Kim Krizan started out as an actor (Dazed And Confused and other films) but is surely better known as a writer, including the Oscar nominated screenplays for Before Sunrise and Before Sunset, and a surprising amount of work in the comics field. She garnered quite a bit of ink with her 2012 Kickstarter efforts to self-publish Original Sins – Trade Secrets Of The Femme Fatale, and I’d say that the contributors’ funding was well invested. It’s a handsome book in a sturdy library style binding, filled with photos and illustrations.

“We all feign roles so as to survive and achieve our desired ends,” she writes. “The Fatale takes control of her life by telling her own story and co-opting powerful symbols. She creates her own publicity, circumvents the lousy constricting roles she doesn’t wish to play, commands the attention she desires, and gets what she wants – or has fun trying. A femme fatale is a creature not born, but made. Key to the Fatale’s power is that she makes no apologies for being female.”

Skim the book and you’ll come away with a detailed (if tongue in cheek…I think) guide on what to wear when murdering your husband, for example. Really plunge in, though, and you’ll enjoy Krizan’s flippant tone and naughty sense of dark whimsy as she surveys femmes fatales throughout history, pop culture and, in particular, film noir. It’s all peppered with sidebars and bulleted insets providing a femme fatale wannabe with specific instructions on what to drink, what to drive, where to live and mostly, what to wear in order to commit mayhem in style. And in doing so, Krizan provides a nifty look at so many seminal crime melodramas and noir classics, focusing on the female characters instead of Mitchum, Garfield, Bogart and crew who’ve been covered before.

 

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