L.A. Noire: The Collected Stories

L.A. Noire 7 - Book

From game to book: Rockstar Games’ popular L.A. Noire game adapted to an anthology: L.A. Noire – The Collected Stories, from Mulholland Books, with 8 hard-boiled/noir-ish tales from some real heavy hitters: Megan Abbott, Lawrence Block, Joe Lansdale, Joyce Carol Oates, Francine Prose, Johnathan Santlofer, Duane Swierczynski and Andrew Vachss.

8 (Not ‘Eight’) Million Ways To Die

8 Million Ways To Die Poster

(See the preceding post about Lawrence Block and John K. Snyder III’s excellent graphic novel of Eight Million Ways To Die.)

The way to look at 8 Million Ways To Die, Hal Ashby’s 1986 film adaptation of Lawrence Block’s hard-boiled Matthew Scudder novel Eight Million Ways To Die, is simply to forget that the movie has anything at all to do with Block’s novel. Which is pretty easy to do, since so little of the book was retained. The Oliver Stone script (with an assist by Robert Towne) transplants an ode to 1980’s New York to Los Angeles. Oh, some character names are retained, former cop Scudder struggles with his drinking, and there is still a prostitute who comes to the unlicensed P.I. to help her escape the life, yet winds up dead. But that’s about where it ends. As Lawrence Block has noted in interviews, he did cash the check, and film studio dollars can pay mortgages the same as publisher’s royalty checks. All writers can learn from Block’s experience, and he’s not the only big name to offer wise counsel about the perils and pluses of dealing with Hollywood.

Montage

8 Million Ways to Die can be lumped together with a whole series of neon-lit and sun-drenched So-Cal neo-noir-ish action and crime thrillers, like To Live And Die In L.A., Tequila Sunrise and others from the 1980’s-90’s. The film was done by top-notch talent, and featured excellent actors, including Jeff Bridges, Rosanna Arquette and Andy Garcia in his first major role. Block’s dark and brooding murder mystery is gone, as are the shadowy Manhattan streets, dingy bars and grimy walkups.

Rosanna Arquette

Still, Garcia is delightfully slimy (his little pony tail a constant visual treat), no one does troubled-but-stoic like Jeff Bridges, and Rosanna Arquette…well, lets just say there’s kind of a crush there. A good movie? Apparently reviewers didn’t think so, nor did movie-goers, since it was a box office flop. That said, if it popped up unexpectedly late at night during a final once-around-the-channels with the cable remote, I’d stay up and watch it again.

Eight (Not ‘8’) Million Ways To Die

Eight Million Ways To Die

You’ll hear it said by novelists time and again, whether from relative unknowns or the frequent bestseller list residents: When the rights are sold to Hollywood for a project, just cash the check and forget about it.

Mystery Writers of America Grand Master Lawrence Block knows that all too well, and can point to the 1986 film adaptation of his 1982 hard-boiled Matthew Scudder detective series novel Eight Million Ways To Die as a prime example, right down to the film’s inexplicable title change to “8 Million Ways To Die”, as if audiences needed the numeral instead of the word for some strange reason. There are understandable pragmatic reasons studios modify novels for the big screen, length and location costs the most common. Sometimes it’s merely a screenwriter’s or director’s whim or conceit. And sometimes it’s just who-the-hell-knows-why?

Now, to be clear: Unlike many, I don’t hate the Hal Ashby 1986 film starring Jeff Bridges, Rosanna Arquette and a young Andy Garcia in his first leading role. It garnered some pretty bad reviews and wasn’t a box office success, though not for lack of trying with then-popular stars, a script by no less than Oliver Stone and Robert Towne, some thrilling sequences and no shortage of retro-eighties style sexy violence, sexy voyeurism…and just sex. I’ll admit that I’ve always like Bridges’ many brooding and cynical performances, and happen to consider Arquette one of the 1980’s – 1990’s under-rated talents. But the minute you see palm trees and the sun-drenched Pacific beaches on the screen, you have to wonder what the hell the studio was thinking.

John K Snyder III Matthew Scudder

Lawrence Block’s Eight Million Ways To Die, the 5th Matthew Scudder novel, takes its title from the Oscar winning 1948 film noir The Naked City and the 1958 – 1963 ABC television series of the same name, it’s concluding narration one of the mystery/noir genre’s many memorable lines: “There are eight million stories in the naked city. This has been one of them.”

Eight Million ways To Die MontageNo one would ever accuse prolific writer Lawrence Block of being lazy. Since pounding out paperback originals in the 1950’s under various pen names, he’s earned shelves full of awards and launched multiple series, the Matthew Scudder hard-boiled detective series nearing twenty novels as of 2019. The Scudder books are New York books, and Eight Million Ways To Die is 1980’s New York in every way. Just as we stereotype the 50’s as bobby sox and poodle skirts, the 60’s with either mods or flower children and the 70’s with John Travolta in a white polyester suit on a lighted dance floor, we tend to see the 80’s through a filter of VHS taped clichés from teen sex comedies and neon lit erotic thrillers, all dressed up in fuchsia spandex and over-moussed mall hair. But Block’s novel is the real New York of the 1980’s…Ed Koch’s New York, teeming with Wall Street white-collar embezzlers and pimps and dealers working the streets beneath the elevated tracks. It’s dark, wet, grimy, dirty and dangerous. And it’s a hell of a place for a struggling alcoholic with a gun and no P.I.’s license.

John K Snyder III Eight Million Ways To Die 2

Hollywood took Block’s novel and didn’t even bother keep the name intact, much less the plot or setting. But John K. Snyder III honored this book in one of the most impressive graphic novel’s I’ve ever read, rivaling the very best of Ed Brubaker’s and Sean Phillips’ work, and for me that’s saying a lot.

Eight Million Ways To Die - Noir City Article

The IDW Publishing 140 page+ hardcover is a work of art from front to back, sticking painstakingly close to Block’s novel, lifting text and dialog direct from the book, and rendering it all in an utterly sumptuous painterly style that’s incredibly moody and relentlessly dark, like the source material itself. I’d read about this graphic novel at Crime Reads and the Film Noir Foundation’s Noir City e-magazine (screen grabs from its article shown here), couldn’t wait for its release, and wasn’t disappointed. And, in a weird way, I’m pleased as could be for writer Lawrence Block, not that someone of his stature needs this unknown blogger and writer-wannabe’s well wishes. But his iconic P.I. character and one of the series’ very best books finally got its long-overdue treatment. Not in a movie, but in a graphic novel that could serve as a ready-to-shoot storyboard for a properly done film.

John K Snyder III Eight Million Ways To Die

If you’ve read Block’s book, you’ll still enjoy this graphic novel. If you haven’t read the novel and want an intro to Block’s Matthew Scudder character, this is just as good a place to start before you pick up one of the Scudder series books. So, enjoy Block and Snyder’s graphic novel, but still…go get a Matthew Scudder novel too.

Into The Night

Into The Night - Woolrich - Block

As I understand it, Into The Night was an unfinished Cornell Woolrich novel manuscript, not only missing an ending, but the opening and some passages in the middle (which doesn’t leave very much, if you think about it). It fell to Lawrence Block to complete the novel. I know I have this book somewhere (if you ever saw my bookshelves, you’d understand) but had to rely on a search engine image for the picture above.

Time for candor, even if it gets me in trouble: I’m not the biggest Woolrich fan, and I know that’s sacrilegious in noir and crime fiction circles.

It’s been a while, so if I get the plot mixed up a little, I’ll beg your forgiveness now. In Into The Night, a woman’s failed suicide attempt goes awry, though she’s actually relieved that her gun jammed. But when she drops the weapon, it accidentally goes off anyway, the bullet shooting right through the window where it finds an unintended target, another woman merely passing by.

That’s an interesting if perhaps implausible premise. From what I’ve read, some readers didn’t care for Lawrence Block’s upbeat ending, preferring something more Woolrich-ish…i.e. dreary and downbeat. Still, this one can be an entertaining read for hardcore Woolrich buffs, if only to try to pinpoint the original manuscript’s portions and Block’s rewrites/additions.

Noir City

dark cabaret

The latest Film Noir Foundation’s Noir City e-magazine (number 25) came out right before the holidays like a Christmas present for noir buffs, though this buff was a busy buff and only able to get through a portion before the halls had to be decked and all the fa-la-la-ing taken care of. But recently when a loooong waiting room delay found me without a book, a magazine or even a comic to browse, I remembered the PDF issue was still lurking on my laptop.

hot shadows

Noir City is about as good as it gets, as far as I’m concerned. This time the e-mag is just a whisker shy of a hundred pages, each in lushly illustrative designs by AD Michael Kronenberg. This issue focuses on International Noir, with articles on noir cinema in Mexico, Japan, Iran and more. But that’s just for starters, the e-mag also including articles on comic artist Jim Steranko’s noir work, a graphic novel adaptation of Lawrence Block’s Eight Million Ways To Die, an interview with Hard Case Crime co-founder Charles Ardai…well, it just goes on and on.

steranko

If you haven’t looked into The Film Noir Foundation, do so. Your contributions not only help support the organization’s festivals, vital film preservation and restoration work, but also can snag a subscription to this extremely cool publication.

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