Winter Reading Plans

three readers

Five days into the new year, and I just finished Meghan Scott Molin’s The Frame-Up (more about that one later), am deep into The Annotated Big Sleep for at-home reading and just picked up Sara Gran’s The Infinite Blacktop – A Claire DeWitt Novel to keep in the car for daytime-downtime reading. (I usually have more than one book going at a time, and I’m sure I’m not alone in that.)

I normally have a folder handy on my desktop to screen-cap or download any interesting books I spot so I won’t forget to look for them, particularly since it may take a while to get around to it. Sometimes I feel foolish for letting so many books collect there, as if I could ever hope to read them all (not that it’d stop me from buying them). And at this time of year, when every blog and e-newsletter touts yet another ‘Best Of 2018’ or ‘Must-Read In 2019’ list, I feel doomed. When I skimmed J. Kingston Pierce’s Rap Sheet (therapsheet.blogspot.com) 1.3.19 post “Early Rivals For Our Reading Attention”, I was overwhelmed at first, then I didn’t feel quite so bad. It lists 325 US and UK new releases, and just for the first quarter of the year. If anyone can actually get through all those, they’re a speed-reader, unemployed…or nuts. And likely to be out about six grand.

the rap sheet screen cap

My own ‘watch-for’ list is much smaller right now. Forgive me for further cluttering feeds and inboxes with yet another book list. It’s a mixed bag of noir-ish fiction, mystery, hard-boiled crime, non-fiction, YA/comics-related titles and at least one genuinely goofy item: Murder-A-Go-Go’s – Crime Fiction Inspired By The Music Of The Go-Go’s. I mean, seriously…how can you not want to see what that’ll be about?

Raymond Chandler and The Annotated Big Sleep will keep me occupied for a few more nights. January is peculiarly balmy at the moment here, but it won’t be long before that changes, which means ideal at-home evening reading conditions. Indoors. Where it’s warm. And Sara Gran’s Claire DeWitt will go down nicely with the dashboard heater blowing and a large coffee in the cup holder while waiting for an appointment or before work. Hopefully these other titles will show up at my local bookstore promptly.

2019 books 1

  • A Bloody Business by Dylan Struzan, with illustrations by Drew Struzan
  • American Heroin by Melissa Scrivner Love
  • Dark Streets, Cold Suburbs by Aimee Hix
  • Metropolis by Philip Kerr, the last Bernie Gunther novel before the author’s sad demise

2019 books 2

  • Murder, My Love by Mickey Spillane and Max Allan Collins (A Mike Hammer novel)
  • The Lost Girls Of Paris by Pam Jenoff
  • The Only Woman In The Room by Marie Benedict
  • The Jean Harlow Bombshell by Mollie Cox Bryan

2019 book 3

  • Bad by Chloe Esposito
  • The Paragon Hotel by Lyndsay Faye
  • Murder-A-Go-Go’s – Crime Fiction Inspired By The Music Of The Go-Go’s edited by Holly West
  • Under The Moon – A Catwoman Tale by Lauren Myracle

http://therapsheet.blogspot.com/2019/01/early-rivals-for-our-reading-attention.html

Reader Photos by Jessica Castro, Daria Shevtsova and Kate Williams

Their First Meeting

Strand Magazine Oct-Jan 2018

Foolishly, I used to bypass Strand Magazine on the newstands, wrongly considering it a Sherlock Holmes and cozy mystery title. Once I finally bought a copy, I learned otherwise, of course.

For example: The October 2018-January 2019 issue leads off with a Mike Hammer story by Max Allan Collins and Mickey Spillane, adapted from a radio-style playlet originally intended as part of a 1954 Mike Hammer jazz LP. Iowa writer Collins, as many know, became close friends with Spillane in the hard-boiled master’s latter years and was assigned to manage his papers after his death, which included completing a number of unfinished manuscripts.

“Tonight My Love” in this current issue of Strand Magazine is a short-short story, opening much like a Mike Hammer novel would, with the “hard-hitting and lusty” private eye on a routine tail job, lurking outside a low rent nightclub while he tries to keep a Lucky Strike lit on a rainy New York night. “That was when she showed up from somewhere wearing a red dress that would’ve looked painted-on if any living artist was only that good. Her eyes were big and dark, and her lips so lush it made my own go slack…”

In a little over two and half pages of taut, vintage Spillane (via Max Allan Collins) prose we witness an important event in the Mike Hammer saga that stretched over multiple novels, short stories, movies, TV series, radio shows and comics. The very last line of “Tonight My Love” is a gotcha for any Spillane fan (and I’m definitely one).

Different actresses have played the part, from Maxine Cooper to Tanya Roberts, but it may be that, much like Spillane’s Mike Hammer himself, it’s a role that can’t really be assumed since each reader has their own image of…well, that’d be giving away the last line of “Tonight My Love”. Check it out in the current Strand Magazine.

 

The Girl Hunt Ballet

Girl Hunt Ballet 3

The Band Wagon (1953) is a classic MGM musical (it’s the film that included the famous song “That’s Entertainment”) with Fred Astaire, Cyd Charisse, Nanette Fabray, Oscar Levant…even a walk-on by Ava Gardner. Astaire plays a popular but aging Hollywood song and dance star who’s returned to Broadway in the hopes of restarting his career, where’s he’s mismatched with Gabrielle Gerard, a famous ballerina unfamiliar with musical theater, played by Cyd Charisse. Their initial outing, an ill-conceived highbrow musical version of Faust, is a disaster. But Fred saves the day by rallying the cast and crew to rework the material into a more conventional musical comedy show that premieres to rousing success…while he and the ballerina (who originally nearly despised each other) naturally end up falling in love.

Okay, so why should we mention this film here? Because of its legendary The Girl Hunt Ballet sequence.

Girl Hunt Ballet 2

One of many song and dance numbers planned for the film was called “The Private Eye”, but it proved unworkable for some reason. Still determined to probe that theme, they found inspiration in a recent Life magazine article on Mickey Spillane, at that time a very controversial pop culture phenomenon, reviled by critics, but read by millions.  The result, “The Girl Hunt Ballet” is a dance tale set in a Spillane-style urban underworld of violent New York streets and smoky gin mills, all teeming with cops and robbers shooting it out, gangsters wielding switchblades and fetching femmes fatales…Charisse (remember, she’s playing an aloof prima donna ballerina in the film) the ‘fetchingest’ of them all. Astaire does what comes easy for Astaire – being effortlessly cool, even playing a private eye. Director Vincent Minelli decided the sequence needed some narration, like Mickey Spillane’s first person narrative Mike Hammer novels themselves, and lyricist Alan Jay Lerner wrote it, though he insisted on going unpaid and uncredited so as not to step on the toes of the film’s songwriters and screenwriters.

Cyd CHARISSE und Fred ASTAIRE in 'Vorhang auf!', 1953

I’ll be the first to admit that musicals aren’t really my thing. But The Girl Hunt Ballet is really something to see. Articles about it frequently refer to Charisse and Astaire’s “sexually charged” duet. That’s putting it mildly. I don’t know how the film didn’t melt. The extended 12 minute sequence captures every period pulp and hard-boiled mystery cliché and trope you can think of and turns them into a brilliant piece of noir art. Maybe you don’t want to sit through all of Band Wagon. I get that. But if you can seeThe Girl Hunt Ballet – YouTube or wherever — watch it. And with good speakers and the bigger the screen the better.

Girl Hunt Ballet

 

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