Mystery Scene #161

mystery sceneAlways a treat to find the new Mystery Scene in my mailbox, even when the stack of books on my to-be-read end table is overflowing (and it really is). The issue offered up its always reliable mix of new, retro and unusual topics and didn’t disappoint…but, does it ever? Some highlights:

Bulldog drummond books

Michael Mallory’s Bulldog Drummond was a treat. News to me that there’d been around two dozen Bulldog Drummond films released between 1922 and 1969. I’ve only seen one, probably waking up on the couch in the wee hours with my hand on the remote tuned to some oddball channel. I can’t even remember for sure which one it was at that. Adventurer and investigator Bulldog Drummond was created by British Army officer Herman Cyril McNeile, who wrote under the pen name “Sapper” (British Army regulations prohibiting service members from using their real names for fiction publication) with ten Bulldog Drummond novels published between 1920 and 1937. Gerard Fairlie and then Henry Raymond continued the series from 1938 through 1969.

Ray Milland Bulldog Drummond 2

John B. Valeri’s piece on reporter turned writer Alex Segura and his Pete Fernandez private eye series was a real teaser, opening with a Segura quote, “I like to keep readers on their toes. I like to pull the rug out from under them…”, and then closing with something to keep fans alert. Segura may be following up his fifth Pete Fernandez private eye novel, Miami Midnight (2019) with something quite different and soon. “While he’s a bit cagey about the details, (Segura) does drop a few tantalizing clues as to what readers can expect: A non-PI female lead, a different time period and a murder. Beyond that, all bets are off.” Well, here’s betting I’ll be watching closely for something like this from Mr. Segura, and it can’t come to soon.

The most unusual piece was Craig Sisterson’s “Found In Translation” a five pager looking closely at mystery/crime fiction work translated to English and vice-versa, but more specifically, talking to the translators themselves. Though I’m currently hard at work – and more or less working from scratch — on launching a particular project (can you guess…”The Stiletto Gumshoe”), I’m not actually a newbie to the writing/publishing racket…more like reinventing myself. But under a prior pen name, my second novel sold the foreign rights. It was only one market, but hey, the check cashed just fine. I can’t write or speak a single word of that particular language, so I’ve always wondered how well they did with the slang and vernacular. Sisterson’s article drives home what an art quality translations really are.

 

Mignon And More In Mystery Scene

Mystery Scene 160 - 2019

I know there are no books by Mignon G. Eberhart on shelf at my local public library. I checked. But then, the list of well-known mystery/crime fiction writers missing from the shelves there would too long to start counting.

Another Mans Murder

The latest issue of Mystery Scene magazine is full of the usual features and excellent interviews and articles, and didn’t disappoint. But it rarely does. Michael Mallory’s article “Mystery’s Enigmatic Mistress – Mignon G. Eberhart” was a pretty in depth look at a woman who was a bit of mystery herself. Born Mignonette Good in Lincoln, Nebraska in 1899, Eberhart went on to write nearly 60 mystery novels along with numerous short stories and plays, beginning with the Sarah Keate medical mystery series in the 1920’s. By the time of her death at 97 in 1996, Eberhart was considered one of the highest paid mystery writers in the field, yet biographical information remains pretty sparse, with very few interviews ever conducted. Mallory’s excellent article provided just enough info to get me intrigued, and I’ve been digging up some of Mignon G. Eberhart’s mysteries since, some of which have been reprinted in multiple editions and are readily available.

On a more somber note, Nancy Bilyeau’s “Berlin Noir – Philip Kerr’s Novels Of The Third Reich And After” gives an overview of Kerr’s incredible Bernie Gunther series, in which the Chandler-esque Berlin homicide detective navigates the rise of Nazism, the horrors of WWII and its aftermath, and struggles to find a place in a postwar world through 14 always-entertaining but incredibly thought provoking novels. Philip Kerr, of course, sadly passed away in March of 2018. The publication of his 13thGunther novel Greeks Bearing Gifts just a month after his death was a bittersweet event for his ardent fans (count me among them), and presumed to be the final work from this master. But there was one more, Metropolis, published just this April, and surprisingly, a kind of origins story set in 1928 when the horrors to come were only glimpses of still unimaginable anomalies in Weimar Germany, where cynical Berlin cop Bernie Gunther was still working his beat, eager to please and, if a smart ass at heart, not yet the hardened world weary soul readers came to love across a dozen-plus novels.

So with one magazine’s issue, I learn about a prolific writer I never knew much about (but will, soon enough) and bid farewell to a writing hero whose work I’d grown to love. Can’t ask for more than that from a magazine.

Mystery Scene

Mystery Scene 1

Found the new Mystery Scene magazine issue 159 in my mailbox after work, and am only disappointed that I already devoured the darn thing and now have to wait for another issue. Mystery fans and writers will find the usual healthy mix of topics and mystery/crime fiction sub-categories well-represented. I got a particular kick out of one entry in the monthly The Hook: Intriguing First Lines feature, which showcases a selection of particularly interesting, gripping or even amusing first sentences or paragraphs from various mystery novels. I pasted in author Lee Goldberg’s opening from his 2019 Killer Thriller above, and who among us hasn’t met or known someone just like the person being described? Just in case the image is missing on your screen, here it is as text:

“Ian Ludlow’s UCLA creative writing professor insisted that the key to being a successful novelist was writing from personal experience. That’s why the professor was the author of five unpublished novels about sexually frustrated novelists who toiled in obscurity while teaching talentless and ungrateful students how to write.” From Killer Thriller, by Lee Goldberg 2019

mystery scene

Gil Brewer Revisited

The Red Scarf-A Killer is Loose

The latest Mystery Scene magazine e-newsletter included Ben Boulden’s “2018 Reissues Roundup: Some Of The Best Books To Hit The Page (Again)”, starting with Stark House Noir Classics, nice looking trade paperbacks ranging from $17.95 – $21.95 US, most with reproductions of vintage postwar illustrations for their cover art (not necessarily the cover art from the novels’ original editions, though) and usually double books (two novels). Boulden’s article features Stark House’s republished version of two Gil Brewer novels, The Red Scarf and A Killer Is Loose from 1958.

A lot of Gil Brewer material deals with regular folks who are particularly unlucky, whether with money, jobs, love, marriage, you name it, and such is the case in The Red Scarf.

The Red Scarf Montage

Roy and Bess Nichols’ roadside motel looks out on a planned highway that never was built, so now they’re deep in debt, unable to borrow any more from the bank or family, and Roy’s taken to drinking too much. Doing just that at Al’s Bar-B-Q one night, Roy hitches a ride home with Noel and Vivian Teece, a bag man and his girl who’ve had a few themselves. When an accident kills Noel (or so it seems) Vivian grabs their satchel of mob money and holes up in Cabin No. 6 at Roy’s hotel, where Roy obsesses over the bag of dirty loot tied shut with her red scarf, even as the law and some very dangerous gangsters start to sniff around.

The Red Scarf

I’d read some Gil Brewer before, including Hard Case Crime’s edition of The Vengeful Virgin and Wild To Possess/A Taste Of Sin, another Stark House double. Brewer (1922 – 1983) was a Florida writer who usually set his fairly bleak tales in familiar turf, all of them a kind of ‘sun-drenched’ noir that neglects the glitz of Miami Beach for back roads, small towns, roadhouses and hot sheet hotels instead. My own work has me constantly stuck in a 1959 mindset, so some more late 50’s/early 60’s era Gil Brewer ought to go down swell right now.

Mystery Scene

Mystery scene

Finding a new issue of Mystery Scene magazine in the mail is just like getting an unexpected present. I spent a pleasant Sunday evening with this new Winter 2019 issue, as well as the morning after to finish it up (once through the pre-dawn Dunkin’ Donuts drive-thru en route to work, the car eater going full blast this Monday AM). I haven’t read anything by the cover story feature, Laura Benedict, but plan to now. Many writers have peculiar rituals as part of their work habits. Benedict’s compelled to clean and de-clutter her house from top to bottom before commencing a new novel. “Horace McCoy: Noir’s Forgotten Founding Father” by Michael Mallory made me think about an unsung hero of the genre, McCoy not the most prolific writer, but the author of the Depression-era novel They Shoot Horses, Don’t They which made him a darling among the European literary philosopher set. Of course the issue had the usual features and pages and pages of new release reviews…all in all, a pleasant end to a cold weekend (and a helpful start to a frigid work week).

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