Noir City.

Noir City

Hot off the press (or the drive, I suppose): The new issue of the Noir City e-magazine from The Film Noir Foundation. This came in while I was at the day job, and it just wouldn’t do to start browsing right away (even if I am the boss). But you can bet I’ll be picking up edibles at a drive-thru after work and hunkering down in front of the laptop to pore through 80+ pages of goodness in just a few hours. More to follow after I’ve had a chance to digest it all.

Go to The Film Noir Foundation’s site to learn more, contribute and get your mitts on a copy: www.filmnoirfoundation.org

 

 

 

 

Stuck At Home? Then Go To Noir City.

Noir City 1It’s not like I didn’t see it coming: Shelter-at-home, non-essential businesses closed temporarily, etc. It’s just that the day job was in its normal busy time of year, well underway prior to the shutdowns and continuing during the transition to work-at-home. I may have been prepared with groceries in the fridge and a full tank of gas (should I just skip the thing about the cigarette carton stash?), but I hadn’t been to the library, hadn’t been in a bookstore and hadn’t even done a quick online order of any books – new or old – in the days leading up to the sudden switch to hermit status. The to-be-read stack on the writing lair’s endtable had whittled down some. It’s not like I don’t have shelves of beloved treasures that could do with a re-read, but still…

So, it was a double delight to see the new Spring 20202 Noir City e-magazine Number 28 appear in my in-box.

Noir City 3

Now I’m not kidding about being busy with the day job. Even routine tasks seem to take twice as long as they do in-office, where simple face-to-face questions and approvals take no more than a moment, but now require email barrages. No complaints, mind you. When the news is filled with startling stats like 1 in 10 Americans filing for Unemployment last week and even 1 in 4 laid-off, furloughed or weathering hours cutbacks, I’m thrilled to be working. But with time at a premium, I haven’t read a single word of this new Noir City issue yet. Still, a quick scroll through the pages (drooling the entire time) assured me this is another terrific issue from Vince Keenan and Steve Kronenberg, and as always, a visual treat from Art Director Michael Kronenberg.

Noir City 2

Craving some dark delights in the midst of endless dismal news? Get thee to the Film Noir Foundation’s site (link below) to find out more, become a contributor and to get your mitts on the Noir City e-magazine. Just try to visit there and not end up wanting something: Back issues, festival posters, whatever. Hey, if we can’t spend money in stores right now, we can unload a few bucks on something of real value for noir culture enthusiasts…and I know there are more than a few of you reading this.

http://www.filmnoirfoundation.org/home.html

http://www.filmnoirfoundation.org/aboutnoircity.html

Modern Noir Masters’ Poster Art.

NC5_poster

Fifteen years (give or take) of the Film Noir Foundation’s Noir City film festival posters: Go to the foundation’s site yourself to better ogle them, sign up to be a donor and get your mitts on the excellent Noir City e-magazine, or to order cool stuff from the foundation.

NC6_poster

The posters include shots from expert lensmen like David Allen and Jason Mitchell, shooting models including Annabelle Zakulak, Lucy Laird, Victoria Mature, Greer Sinclair and even noir-maestro himself, Eddie Muller, with truly artful digital photo-composition and imaging work by Bill Selby. And how wonderful to see software deployed not just for showing off with digital voodoo, but to fabricate cost-prohibitive or nearly impossible-to-shoot artistic visions. Bravo!

More follow in the next two posts, and my personal faves in the post after that…

http://www.filmnoirfoundation.org/home.html

http://www.noircity.com/

NC Jan 2004NC_ChristmasNC3_posterNC8_poster

Debutante To Derelict: The Shanghai Gesture (1941)

shanghai gesture 6

Reading Steve Kronenberg’s excellent “Handle With Care – The Ordeals Of Gene Tierney” in the new Noir City issue number 27 was bound to send me flipping through DVD’s for a Tierney film. You’d just assume I’d go for Laura. And while not a noir, as it happens, I’m quite partial to The Ghost And Mrs. Muir. (Call me a softie.) But Josef von Sternberg’s The Shanghai Gesture offered a Tierney performance which, while not necessarily echoing the specifics of the actress’ troubled life, certainly portrays a woman destined for (or determined to find) her share of troubles.

This 1941 proto-noir is one truly weird movie. Based on John Colton’s risqué 1920’s Broadway play of the same name, the story’s controversial themes had to be severely diluted to make it onscreen. In fact, Hollywood studios and producers already tried to make a film version of the play many times, and the Breen Office censors demanded more than 30 revisions before the script was acceptable.

Shanghai Gesture 5

Phyllis Brooks & Victor Mature Lobby Card

Despite hefty bribes to the authorities, “Dragon Lady” Gin Sling’s (Ona Munson) casino is being forced to shut down and relocate to Shanghai’s seedy Chinese sector by a wealthy English developer (Walter Huston) with grand designs on her location. While Victor Mature’s (looking ridiculous in a fez) ‘Doctor’ Omar and down-on-her-luck American showgirl Dixie Pomeroy (Phyllis Brooks) try to cook up something to thwart the developer’s plans before the impending Chinese New Year deadline, Gin Sling’s joint is visited by stunning and refined Victoria Charteris (Gene Tierney), fresh from a European boarding school but currently going by ‘Poppy Smith’, eager for thrills and swiftly seduced by liquor and gambling. It doesn’t take long for her to turn into a lush, wind up in debt to Gin Sling, and then fall in love with charlatan ‘Doctor’ Omar (despite the fez). Things get a little soap-opera-ish then, revealing that Gin Sling once had a fling with the wealthy Brit who’s destroying her casino. Abandoned and destitute, she was forced to leave their baby behind…who grew up to be none other than Victoria Charteris/Poppy Smith/Gene Tierney. If all of these revelations aren’t bad enough, particularly since the lovely Victoria has turned into the deep-in-debt drunk Poppy now, things can always get worse, climaxing when Gin Sling ends up shooting Tierney, her own daughter.

Shanghai Gesture 4

All of this might make a bit more sense (or not) if censors allowed the play’s real premise to be depicted: Gin Sling didn’t run a casino but a brothel/opium den. ‘Poppy’ didn’t get a taste for the booze and the dice, but became a drug addict, helped along by the fellow she fell for. ‘Poppy’. Get it?

Shanghai Gesture 3

The Shanghai Gesture is far from a classic, not quite a ‘noir’ or even a crime melodrama, and wasn’t particularly successful with audiences or critics. Further, it’s packed full of utterly squirm-worthy ethnic stereotyping, like so many films of its era were.  Still, it’s worth it just to watch Gene Tierney go from refined to bar-room bad girl to drunken lush, her transition taking place in some decidedly uncensored and surreally decadent surroundings. The shift in delivery, body language and appearance is striking. Flanked by Phyllis Brooks and Ona Munson, the three women deliver the goods in a sometimes bizarre and sometimes pedestrian film. Sure, I’ll probably watch Tierney as Laura Hunt and Lucy Muir. I mean, how can you not if you’ve got Gene Tierney on your mind? But I’m glad I started here.

Shanghai Gesture 2

 

Head To Noir City.

Noir City No 27

The new Film Noir Foundation’s Noir City e-magazine arrived in my inbox this week. Issue number 27 is yet another sumptuously designed and info-packed treat for film noir aficionados.

Bittersweet but understandable news was Master-Of-All-Things-Noir (and Film Noir Foundation President and TCM’s Noir Alley host) Eddie Muller’s announcement that he’d be stepping aside from full-time editorial chores, handing off the Editor-In-Chief role to Vince Keenan. Ably assisted by Steve Kronenberg, I’ve no concerns, and am sure Mr. Keenan will maintain the publication’s level of content, visual and editorial superiority. If I sound all gushy, I am. Noir City is just that good.

Noir City Spread

Art Director/Designer Michael Kronenberg delivers another feast for the eyes with this issue, including the gorgeous cover illustration. Noir City’s a dark delight to read, of course, but is equally stunning to simply look at, some of the spreads deserving to be framed and up on a wall. Hmmmm…I’ve been thinking about a refresh for the writing cave’s walls. Just might have an idea there…

This issue includes over 90 pages with 15+ articles and features like Steve Kronenberg’s cover story “Handle With Care – The Ordeals Of Gene Tierney” and Jake Hinkson’s “Hungover – Booze And Blackouts In Film Noir”. If you already get Noir City, then you should be reading it right now instead of this site. If not, and you’re a visitor here, then I can guarantee you’ll enjoy the publication. Hightail it to The Film Noir Foundation’s site (link below) to find out more. Like, now.

http://www.filmnoirfoundation.org/home.html

 

What Could Go Wrong?

Noir City Poster what could go wrong?

I took four years of French in high school, not Spanish (not that I can remember a damn thing from those classes), so it’s not as if can translate “Que podria salir mal?” on my own. Not sure if we should ever trust online translation sites, but apparently it reads “What could go wrong?” And with any classic film noir or crime melodrama storyline, what could go wrong?

Only everything, right?

Another stunning Film Noir Foundation Noir City film festival poster, this one for the 18thannual San Francisco fest in early 2020.

No Noir City Chicago For Me.

Noir City Chicago

So, does this figure, or what? The Film Noir Foundation’s Noir City Chicago starts this Friday (the day after tomorrow, when this post appears). And where will I be?

Well, not in Chicago. About 350 miles away, in fact.

In A Lonely Place, A Kiss Before Dying, The Killing, Kiss Me Deadly…oh, the list just goes on and it’s getting me depressed. Sure, I’ve seen many of the fest’s film offerings already, but a laptop or TV screen is no match for the big screen. There’s no better place for these films hereabouts than The Music Box Theatre. I’ve seen some memorable movies there, each experience enhanced by the place itself. But I knew in advance I’d be away for the fest, and ought to be reconciled to it by now.

The Music Box Theatre

Want to know just how much I’d ache to be there, even for one night? Hit the link below for an old post, “Noir City Daydreaming: On The Road”. It’s me fantasizing about chucking the day job and following The Film Noir Foundation’s Noir City film festivals from city to city like some kind of noir-nomad.

Noir City Daydreaming

These post are typically scheduled a bunch at a time and days in advance. And I shouldn’t really be complaining, since I’ll be mixing work with some R&R and fun where I’ll be. Still, the timing’s rotten. Oh well…next year.

https://thestilettogumshoe.com/2019/01/30/noir-city-daydreaming-on-the-road/

Noir City

Noir City No 26Received last week: Issue Number 26 of the Film Noir Foundation’s Noir City e-magazine, 83 sumptuously designed pages laid out by Art Director Michael Kronenberg, with articles on the Chicago mob’s interference in the Hollywood labor movement and how that set the stage for the Blacklist, novelist/screenwriter Jonathan Latimer, collecting film noir posters, Louise Brooks in Pandora’s Box, an interview with writer Jason Starr, comparing/contrasting Mickey Spillane’s novel Kiss Me Deadly with the film version and much, much more. If you like things you see here at “The Stiletto Gumshoe”, you’ll love The Film Noir Foundation’s Noir City magazine. Go to the organization’s site, browse around some, and by all means become a contributor, not only to help support their film preservation efforts but to get your mitts on this gorgeous and informative publication. Link below…

Film Noir Foundation Site

http://www.filmnoirfoundation.org/home.html

 

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