Lady Killer: Joelle Jones

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I never say this person’s the best artist, the best writer, the best actor, etc. But I’m not timid about saying who are my favorites, and the brilliant Joelle Jones is on that list. Incredibly skilled with design and composition as well as an artful stylist, Jones isn’t content being a terrific artist, but has to be an inventive and creative writer as well…the show-off. Some handiwork of her best project so far (IMHO) shown here: Lady Killer, about 1960’s suburban housewife Josie Schuller, who’s also happens to be a lethal hit woman.

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HIT 1955 – 1957

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HIT, from BOOM Comics, written by Bryce Carlson with art (and some of the series covers) by the great Vanesa R. Del Rey.

There are two HIT series: 1955 and a follow-up, 1957. Both are dark, noir-ish hard-boiled crime fiction at its very, very best. The set-up’s reminiscent of James Ellroy’s L.A. Confidential, and films like Mulholland Falls or Gangster Squad, dealing with LAPD Detective Harvey Slater, who’s an undercover member of the secret Hit Squad, lawless thugs with badges on a top-brass-endorsed mission to purge Los Angeles of organized crime. But Detective Slater’s due for real trouble when the woman from his past returns to L.A., none other than Bonnie Brae, who just happens to be his Captain’s daughter. Brae’s pure trouble in a dress, and one of the finest femme fatales to appear in comics in years.

Hit 1955

Like many comic trade paperbacks, the HIT books include extras, like a Duane Swierczynski introduction and cover alternates from Erik Gist, Trevor Hairsine, Terry Dodson and Ryna Soo. But best of all, both of these have bonus short stories, which were a real treat. I loved both series, loved Carlson’s storytelling and Del Rey’s art, but most of all, I loved Bonnie Brae, and I bet you will too.

Hit 1957

Blue Estate

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So-Cal Neo-Noir comics fun with really, really bad guys and delightfully dangerous femmes fatales: The Blue Estate series concept and story was developed by Kosta Yanev, with the issues scripted by Andrew Osborne. Art direction and covers by artist Viktor Kalvachev with interior art by Toby Cypress. Don’t know why someone didn’t just buy the rights to this thing and make a movie already…like most comics, it’s pre-storyboarded and ready to go.

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Noir City

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The latest Film Noir Foundation’s Noir City e-magazine (number 25) came out right before the holidays like a Christmas present for noir buffs, though this buff was a busy buff and only able to get through a portion before the halls had to be decked and all the fa-la-la-ing taken care of. But recently when a loooong waiting room delay found me without a book, a magazine or even a comic to browse, I remembered the PDF issue was still lurking on my laptop.

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Noir City is about as good as it gets, as far as I’m concerned. This time the e-mag is just a whisker shy of a hundred pages, each in lushly illustrative designs by AD Michael Kronenberg. This issue focuses on International Noir, with articles on noir cinema in Mexico, Japan, Iran and more. But that’s just for starters, the e-mag also including articles on comic artist Jim Steranko’s noir work, a graphic novel adaptation of Lawrence Block’s Eight Million Ways To Die, an interview with Hard Case Crime co-founder Charles Ardai…well, it just goes on and on.

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If you haven’t looked into The Film Noir Foundation, do so. Your contributions not only help support the organization’s festivals, vital film preservation and restoration work, but also can snag a subscription to this extremely cool publication.

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