More From Richard Blunt

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More work from UK painter Richard Blunt. See a prior post for additional paintings from this modern realist juxtaposing retro imagery with modern themes while exploring his primary interest: the depiction of dramatic light.

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Richard Blunt

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UK artist Richard Blunt hails from West Midlands, studied 3D design, then found himself homeless during his 20’s, gigging with various bands before rediscovering his visually creative side and taking up painting in earnest. His particular interest: the depiction of dramatic light in realistic images, so it’s no surprise that he’d name artists like Michelangelo Caravaggio (almost synonymous with chiaroscuro to many) as an inspiration. Some will see echoes of Scottish painter Jack Vettriano in Blunt’s work, but then some see Vettriano’s influence every time they see a painting of a vaguely retro fellow in a white shirt, suspenders and a brimmed hat.

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Myself, I’m seeing Hamish Blakely, Rachel Bess and Fabian Perez as just a few of the diverse crop of contemporary painters currently juxtaposing retro iconography taken from Golden Age Hollywood films and even postwar vintage illustration with edgier or ironic modern themes and treatments. The result? Often not unlike Neo-Noir in film and literature.

But as always, I’ll leave all that stuff to the professors and art critics and just enjoy the work. More of Richard Blunt’s paintings follow in a subsequent post.

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Ingrid Boot: Noir Via New Zealand

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I first spotted one Ingrid Boot painting at Noirsville (www.noirsville.blogspot.com), which promptly sent me hunting for more info about this artist.

Background info is sparse, but the intriguing artwork speaks for itself.

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Making her home in New Zealand since 2000, Ingrid Boot studied art at Westminster University in London and completed a degree in Illustration at De Monfort. The artist’s work ranges from glamorous retro nostalgia lifted right from a vintage Vogue magazine editorial (go to the artist’s own site at http://www.ingrid.co.nz to view more of those), to ominous yet alluring film noir-inspired pieces, those comprising a 2018 solo show, aptly titled “Film Noir”, at the Bread & Butter Gallery. More from this incredible painter follows in the next post…

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The Mic’s Art, Not The Book.

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Oh, Orrie. Another ‘shattering novel of a nymphomaniac’. I can guess how Orrie Hitt’s 1962 Love Thief  goes, having read my share of Hitt’s novels, and I’ll wager this is one of those postwar paperbacks boasting a cover that’s way better than the book itself.  The art’s often listed here and there as uncredited, but is attributed to Clement Micarelli in some locations. Well, I’m going with that.

Nicknamed Mic to family and friends, Micarelli took his first Rhode Island School of Design figure drawing class at age 12 in 1941, and vintage paperback and retro sleaze enthusiasts have treasured some of his late 1950’s illustration gems for years since. The artist passed away at age 79 in 2008.

Love Thief 1962

Pascale-Mira Taurua

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Pascale-Mira Taurua didn’t set out to be an artist. Originally a model, she was crowned Miss France in 1978, though relinquishing the title six months later. But painting beckoned, and after studying at the Conservatoire des Arts in Tahiti during the 1980’s, her first gallery show occurred in the early 2000’s, and since, she’s been hard at work in her studio in the small French village of Pau in the shadow of a King Henry IV castle.

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She works primarily in traditional oil on canvas, though sometimes (as seen in examples of her work) more adventurous pieces might be in mixed media acrylics with collage. Clearly much of her work is inspired by the same modeling and fashion worlds she once was a part of, with some paintings even reworking well-known fashion photos. Yes, there’s glamor here. But there’s something more, a cynicism perhaps, or something maybe just a bit darker?

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What’s Beyond The Edges.

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Born in 1975, Brian Tull’s only way to remember the 1930’s through 1950’s is through his imagination. Which must be vivid, and which he draws upon to create his enormous photo-realistic paintings and public art murals, each “strategically cropped…sometimes confrontational and often featuring the female figure as protagonist, giving you a subtle glimpse into the characters’ lives. Usually leaving you wondering what or who is beyond the edges.” Retro? Yes, and wonderfully so, but there’s more at work here than mere nostalgia. Check out more of the artist’s work at his site (if only to get a better feel for the size of the paintings): briantull.com.

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Tango Noir.

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Just a dance? No, seems like much more. Intriguing paintings from Jorge Botero Lujan, artfully capturing the steamy embraces of dark ballroom romance.

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Dave Lebow

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Yes, they breed artists in Oklahoma too, where painter Dave Lebow was born, though his arts education occurred on the coasts, first in painting at Boston University and then earning his MFA in Experimental Animation at Cal Arts. For most of the first decade of the 2000’s, Lebow worked in animation, but returned to painting full time in 2009. Various sites refer to his style as ‘retro contemporary’, which doesn’t make sense at first, but in a way, is precisely what it is. On one hand, the work pays homage to the fantasy and adventure pulps of the 1930’s, but is reimagined through a contemporary 21stcentury vision. Similarly, his technique is fully traditional, often doing monotone greyscale grisaille underpaintings with oil glazes over those. A visit to the artist’s blog (link below) not only showcases more work, but preparatory sketches, model photos and much more. A lot of the work is epic fantasy oriented (with a wry contemporary twist, mind you), but I’ve collected several here that focus on more noir-ish settings and situations.

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http://davespaintingblog.blogspot.com

If Love Was A Red Dress

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Still digging for more bio information on contemporary realist painter Anwen Keeling. Her stark, shadowy and neo-noirish paintings have me hooked, and a post with more will follow soon. But for now, here’s “If Love Was A Red Dress”, which is as perfect a title as I can imagine.

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