Bonnie And Clyde, 1991.

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Revisiting the work of photographer Peter Lindbergh, who passed away last week on 9.3.19. Shown here is his 1991 shoot with models Karen Mulder and Linda Evangelista as Bonnie And Clyde. The Depression era gangsters more or less mimic scenes and the ‘feel’ of the groundbreaking 1967 film Bonnie And Clyde produced by star Warren Beatty and directed by Arthur Penn, with Burnett Guffrey in charge of cinematography. Okay, neither Mulder or Evangelista look like the real Clyde Barrow and Bonnie Parker, or even like Warren Beatty and Faye Dunaway for that matter, but I could argue that Peter Lindbergh’s fashion editorial homage is no more historically inaccurate than screenwriters David Newman and Robert Benton’s story was in that iconic film.

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R.I.P. Peter Lindbergh.

Peter Lindbergh, R.I.P.

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Photographer Peter Lindbergh, whose work has appeared here multiple times, passed away last week (9.3.19) at age 74. Lindbergh was born in the waning days of World War II in what was still German occupied Poland. After studying art and photography, he worked as a window dresser in Germany and Holland, finally opening his own photo studio in the 1970’s. By the late 1980’s he’d achieved international acclaim for numerous high-profile fashion editorials and was instrumental in the rise of the 1980’s-90’s celebrity supermodels, including Naomi Campbell, Kate Moss, Cindy Crawford and others.

In a marketplace dominated by lush, color-saturated images and severe figure distortions designed to enhance the apparel and accessories, Lindbergh’s work was characterized by a uniquely naturalistic style, often in black and white and looking more like candid shots, even though this was achieved with an army of stylists and assistants. Here are just a few pieces of Peter Lindbergh’s work with models Mila Jovovich and Mariacarlo Boscono. Indulge me with this and the next post, an adaptation of an older one from back in February showing a 1991 shoot with models Karen Mulder and Linda Evangelista as Depression era gangsters Bonnie And Clyde.

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New Kid In Town

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No one would accuse model Arizona Muse of being boyish. Just search out any of Muse’s many fashion spreads with leading photographers in Vogue, Numero, Porter and elsewhere, elegantly decked out in sumptuous couture or sultry and slinky in high-fashion lingerie.

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But she does make for a convincing young fellow in New Kid In Town, shot by Peter Lindbergh. In this photo suite, a hot shot dice shooter – or just plain shooter (note the automatic tucked in her trousers) – has just arrived, so look out boys and girls alike…there’s a new kid in town.

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Bonnie And Clyde, 1991

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“Bonnie And Bonnie” might be a better title, this vintage looking photo suite recalling the poignant Parker family reunion sequence from the groundbreaking 1967 film Bonnie And Clyde, produced by star Warren Beatty, directed by Arthur Penn, with Burnett Guffrey in charge of cinematography.

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One might argue that photographer Peter Lindbergh’s 1991 Vogue UK shoot is no more historically inaccurate than the 1967 film was, even swapping supermodels Linda Evangelista and Karen Mulder for Warren Beatty and Faye Dunaway. But I didn’t mind screenwriters David Newman and Robert Benton playing fast and loose with the Depression era duo’s story anymore than I do Lindbergh, Mulder and Evangelista’s beautiful photos.

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