A Stiletto Gumshoe Left Her Heels Behind.

Paolo Roversi 1998

Hardly seems like a customarily artful Paolo Roversi fashion photo without a flavor-of-the-month model cavorting in costly couture in front of the camera. This 1998 Roversi image makes think of a ‘stiletto gumshoe’ wisely leaving her heels behind when she raced off after the bad guys, but you could probably come up something much more ominous.

 

 

Not Maguire, McGinnis, Schaare or Lesser, Maybe. But Still…

This Girl For Hire

Honey West? You name it, I have it: Multiple editions of the original Gloria and Forrest Fickling novels from 1957 through 1972. The complete 1965-66 TV series DVD set. Moonstone comics from the early not-too-bad ones through the sillier stuff and used to have a totally beat-up copy of the 1965 Gold Key comic. Okay, I don’t have the Honey West Ideal board game or the Gilbert ‘Private Eye-Ful TV Figure doll or accessories. The novels seem pretty easy to locate and usually affordable, whether the nifty paperback originals, later reissues or various and more recent trade pb editions (all of which may or may not be fully authorized, I don’t know).

A Gun For Honey

Ordering some items from the online behemoth in Seattle this week, I saw several Kindle eBook editions of the Honey West novels from Deerstalker Editions, which seems to be a division of California-based Renaissance E Books Inc. (though I wasn’t able to dig up much on them, only some blogs that have been inactive for quite some time). Eight Honey West titles are listed in the eBooks’ cross-sell copy, though I only see these four mid-2019 releases available at this time. What’s it all about? Who knows, and honestly, I’m not really an eBook person, aside from the occasional how-to title. Still the covers for these – love ‘em or hate ‘em – seem to use original art, though I’ll remain partial to the iconic images of Anne Francis (1930 – 2011) or the original paperback series’ Harry Schaare, Robert McGinnis, Robert Maguire and Ron Lesser renditions.

Girl On The Loose

I have a lot to say about Honey West – the character’s importance in postwar era paperback detective novels, the groundbreaking but still flawed short-lived TV series, the more contemporary comics, both good and bad, etc. The Fickling’s creation was flawed but fun and unquestionably influenced still more important things to come some years later. Whatever the Honey West character’s and novels’ shortcomings may be (and there are some), we’re talking about the most familiar ‘stiletto gumshoe’ from that era. But,  it’s all more than I have time to cobble together right now, so we’ll have to table Honey West talk for now…

Honey In The Flesh

Dangerous Dames

Pulpster copy

The Pulpster No. 26, a 2017 PulpFest publication: Not that I attended PulpFest, only being greedily acquisitive, not really a collector and generally steering clear of cons and swap meets.

But I wanted this particular “Dangerous Dames” issue with Ron Goulart’s survey of early crime and mystery pulps’ female detectives, including Hulbert Footner’s Madame Storey, Cleve F. Adams’ Violet McCade, D.B. McCandless’ Sarah Watson, and of course, Theodore Tinsley’s Carrie Cashin, the most successful of the bunch with nearly 40 stories appearing in Crime Busters and Street & Smith’s Mystery Magazine between 1937 and 1942. Prolific author and pop culture historian Ron Goulart was the perfect choice for this piece with his mile-long fiction resume and a dozen or more non-fiction books including The Hard-Boiled Dicks: An Anthology And Study Of Pulp Detective Fiction (1967) and The Dime Detectives (I have a 1980’s edition of that book). You may know him from a roster of pen names including Howard Lee, Jillian Kearny and several others. Goulart’s piece was followed by Bill Pronzini’s “Women In The Detective Pulps”, a look at women crime fiction writers working in the pulp magazines’ boyz club, including Marjorie Stoneman Douglas, Carolyn Wells, Dorothy Dunn and others.

Black Mask July 1949

The Pulpster wasn’t a newsstand magazine, to my knowledge, and at only 40 pages, a bit pricey, but well worth it for those two articles. Well, those, and the nifty Norman Saunders cover illustration, which was from the July 1949 issue of Black Mask, and still available as a poster at the artist’s website (normansaunders.com). BTW, that bloody hand print really is the artist’s own hand covered with red paint, according to Saunders’ son.

Carrie Cashin

Crime Busters July 1939 - Carrie Cashin

I read my first Carrie Cashin story in Bernard Drew’s excellent Hard-Boiled Dames anthology, but finding more is a challenge, unless you’re ready to fork over significant dollars for collectible pulps (which I’m not). I only recently spotted two Carrie Cashin tales (“Black Queen” and her debut, “White Elephant”) in The Shadow #133 and #138 at Bud Plant’s budsartbooks.com. They’ve been added to my Christmas list, though I suppose I’ll end up ordering them myself after the holidays (no one ever wants to stuff my Christmas stocking with the real fun stuff).

Carrie Cashin 1

Created by Theodore Tinsely, Carrie Cashin appeared in over forty stories in Street & Smith’s Crime Busters and Mystery pulp magazines between 1937 and 1942.  A former department store detective, Carrie looks “like a demure brown-eyed stenographer in a tailored jacket and tweed skirt”, and often defers to her “broad-shouldered assistant Aleck, to allay any clients’ concerns about a woman detecting” when they’re with clients. But Miss Cashin is the real head of the Cash & Carry Detective Agency, the first to leap into danger, and clearly the brains of the outfit. Like Lars Anderson’s Domino Lady, Carrie has a derringer strapped to her thigh beneath her skirt, sometimes surprises with a bigger weapon hidden in her purse, and rarely balks when the bad guys are up for some fisticuffs.  The Hard-Boiled Dames anthology included Tinsley’s “The Riddle In Silk”, in which Carrie (with assistant Aleck in tow) investigates a bloody murder in a remote mansion on the requisite dark and stormy night, which leads them back into the city and ultimately to the waterfront docks on the trail of a stolen pair of silk stockings which “may mean the difference between peace and war in Europe”, the hose containing secret coded messages.

I’ll have to keep looking for an affordable pulp reprint or anthology I’ve overlooked to locate Carrie Cashin in “The Man With The Green Whiskers” novelette from the July 1939 Crime Busters magazine depicted above at the top. Looks like the bad guys got the drop on Carrie this time, and maybe her lilac frock and slip contain something they want bad enough to hold her at gunpoint. Fear not: Carrie will get out this predicament.

Carrie Cashin

 

“A Dame And A Shamus”

By Tony Mangerie - Kidnapped Poster

“Yep, I’m a dame and a shamus, but I didn’t start this way…”

So begins the introduction to photographer Tony Mangerie’s 2014 film noir homage with model Ariel Arielita Fulmer, assisted by Gigi McMillan and Melissa Franklin. See all the photos for yourself, and read Mangerie’s accompanying text at the photographer’s site, tonymangerie.com.

By Tony Mangerie 1By Tony Mangerie 2By Tony Mangerie 3

Stumptown: And So It Begins.

Stumptown

And so it begins: A new Fall television season, this time with some real treats. Batwoman, the new Nancy Drew series, and ABC’s Stumptown for starters. It’d be easy to distrust a broadcast network to adapt a hard-boiled graphic novel properly, but any advance word I’ve noticed online about Stumptown sounds optimistic. I’m rarely watching television at 9:00 PM CST, much less a broadcast channel. But I’ll be there tonight to check this out, fingers crossed. Oline Cogdill weighs in on Stumptown at Mystery Scene magazine’s website (link below). As this piece says upfront, the show “has the kind of crime fiction pedigree that’s been missing from TV for several years”. I mean, it’s Greg Rucka, after all.

Rucka’s Dex Parios was a damn fine creation, flawed but heroic in her way. Cobie Smulders’ resume may be dominated by a sitcom, but I’m betting she’s going to be fine. Cogdill said, “Brash and often out of control, Dex is the kind of character seen more on cable shows than a mainstream network. I am looking forward to that edgy character and I have high hopes as Rucka’s source material is solid”. The few stills and set shots I’ve seen may look a little lighter than the dark, crooked Portland I’d envision, but again, lets see the show.

Fingers crossed…

https://mysteryscenemag.com/article/6594-greg-rucka-s-stumptown-comes-to-tv

One Mean Mother

Ms Tree Front

Finally got my Ms. Tree trade paperback after a long wait. I’ve been pining for this book since March. This first trade pb, Ms. Tree: One Mean Mother re-introduces us to writer Max Allan Collins and artist Terry Beatty’s groundbreaking character, Ms. Michael Tree, widow of murdered cop Mr. Michael Tree (they shared first names), and an even more formidable detective than her beloved husband ever was as she goes to war with the criminal syndicate responsible for his death.

Bottom line: Ms. Tree (get it: Miss-tree…Mys-ter-y) appeared in 1981 like a breath of fresh (albeit hard-boiled and noir-ish) air on comic shop racks overloaded with the capes-n-tights crowd, delivering a woman detective who could mix it up with the bad guys but was still a three-dimensional person and not just a cartoon…and certainly not another spandex clad beauty pageant refugee. That she really is ‘one mean mother’ can be taken quite literally…how many bad-ass detectives pound the pavement when they’re pregnant? (In the comics, I mean.)

Both Collins and Beatty have worked on syndicated comic strips, and that’s evident in the artist’s work with its clean, simple narrative storytelling style, traditionally executed back in a pre-Adobe era. Intentional or not, the look is reminiscent of 1950’s era crime comics, and it really works.

Ms Tree Back

One Mean Mother is a nice ‘n fat beautifully printed book from Titan Comics’ Hard Case Crime line, with cover art by Denys Cowan, an introduction from writer Collins, an afterword titled “Ms. Tree (Almost On Film)” about the character’s screwed up path from comics to television (which never worked out) and a bonus 1994 Ms. Tree short story, “Inconvenience Store”. Looks like Titan’s Hard Case Crime line isn’t done with MWA Grand Master Max Allan Collins and Terry Beatty’s Ms. Tree yet, with Book 2: Skeleton In The Closet due in 2020 and what looks like more releases still to follow. I sure hope they come through.

skeleton in the closet

Dial back to my March 2019 post about Max Allan Collins, Terry Beatty and their pioneering character, Ms. Tree:

https://thestilettogumshoe.com/2019/03/14/ms-tree-2/

 

Who Needs A Holster?

via splashnology

Who needs a scabbard or holster? It looks like there was one hell of a brawl, and hopefully just the sight of that blade was enough to shoo the bad guys away. Photo via Splashnology, but if you know the photographer, please comment so I can add it here!

Candy Matson

Candy Matson

Not unlike the zillion cable TV channels which I frequently surf right through, I probably don’t put my car’s satellite radio to good enough use, mostly hopping back and forth between MSNBC and Sirius’ one old time radio channel. But that paid off a couple days ago with a Candy Matson broadcast, a ‘stiletto gumshoe’ I’d never heard of before. But I’ll definitely be shopping for more episodes now.

A west coast regional NBC show, Candy Matson starring Natalie Parks aired from 1949 through the end of the 1950-1951 season, reigning as San Francisco’s most popular crime drama for a while. Written by Parks’ husband, Monty Masters, it was originally planned as yet one more male private eye series (starring Masters himself), but old-time radio legend says that his mother-in-law convinced him to reimagine the show with a female private eye, which he did, and which west coast stations and their listeners liked – a lot.

Unfortunately, like many old time radio shows, they weren’t all recorded. National shows often were performed twice, once for the East Coast and Central time zone, then again later the same day for Mountain and Pacific time zones. Others were transcribed to air later for the west coast, and many of those survive. But Candy Matson was a regional west coast production, with no need for rebroadcasts or transcription, and sadly, only 14 of the show’s 90+ episodes remain.

Former San Francisco fashion model turned private eye Candy Matson worked out of her swanky Telegraph Hill apartment, drove a sporty roadster and had a closet full of stylish threads which she put to good use, being attractive, well aware of it and perfectly content to flirt when it could help solve a case.  She often had to sneak around Homicide Detective Ray Mallard, but managed that handily since the detective was clearly smitten with her, their evolving romance one of the keys to the show’s popularity with listeners. Matson was a witty, sarcastic glamour gal, actress Natalie Parks delivering the well-written wisecracks and classic hard-boiled P.I. style first person narration with real sass. Packing a gun in her purse and not afraid to use it, she was full of bravado, which often got her in trouble with crooks and sundry other dangerous folks, though some of the episodes are more lighthearted.

Unable to secure a permanent sponsor, Parks and Masters reluctantly threw in the towel at the end of the 1950-51 season, but did so with a series finale in which Detective Mallard finally proposed to Candy and she decided to retire. So, West Coast listeners would no longer hear the phone ringing to open the show, or Candy answering with “Hello, Yukon 28209. Yes, this is Candy Matson”. (Note that one of the series audio CD sets depicted with this post managed to get that darn phone number wrong.)

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