When a writer’s first published novel is a literate hard-boiled masterpiece like Devil In A Blue Dress (1990), that’s a person with something to tell us and we all ought to listen, writers and readers alike.
I reserved a copy of Walter Mosley’s new Elements of Fiction last week, due in on the 17th or 18th along with some other books I ordered at the same time. But there it was calling out to me from the new releases shelf during a library stop last weekend. Oh, what the hell.
Elements of Fiction is a short book, though not necessarily a quick read. Mosley calls it a monograph. The dustjacket labels it a treatise. To me it felt as if I’d signed up for an intimate lecture series with the crime fiction master. This isn’t at all like his previous This Year You Write Your Novel, or most other writer’s how-to books, for that matter. No bullet points, infographics, charts and tables, so some might think it’s targeted to experienced writers and the aloof MFA program crowd more than a newcomer. I’d disagree. Newbie or pro, there’s rich and endless inspiration and guidance here, focusing on process, showing how to channel your thinking when it comes to plot, dialog, character and all the other fundamentals. And after all, isn’t helping others to learn how to think what most good teaching is really all about?
Well, I plowed through the short 115-page hardcover on Sunday, and back to the library it’ll go this weekend. Yes, I still got my own copy mid-week when my multi-book order arrived at a local bookseller, and yes, I’ll read it once again and soon. A man who can come up with Easy Rawlins is a man to heed. Walter Mosley’s Elements of Fiction will be sitting out by my work area for a while, I suspect, ready to turn to when the mood strikes or the writing goes bad. Perhaps it’ll be like reading The Bible for the religiously inclined…flip it open anywhere and darn near any page will offer something inspirational.